FEDERAL MAGISTRATES COURT OF AUSTRALIA
| PHONOGRAPHIC PERFORMANCE & ORS v ADELAIDE CITY ENTERTAINMENT | [2005] FMCA 923 |
| COPYRIGHT – Decision where applicant does not appear – consideration of the requirements for proof of claim – discussion of damages – whether additional damages should be awarded – assessment of damages – assessment of costs under Federal Magistrates Court Rules. |
| Copyright Act 1968, ss.26, 115(4) Federal Magistrates Act 1999, s.76 |
| Microsoft Corporation v Goodview Electronics (2000) 49 IPR at [66-67] Audodesk Australia Pty Ltd v Cheung (1990) 17 IPR 69 Universal Music & Ors v Hendy Petroleum & Ors [2003] FMCA 373 Microsoft Corporation v Ezy Loans Pty Ltd [2004] FCA 1135 |
| Applicant: | PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LTD & ORS |
| Respondent: | ADELAIDE CITY ENTERTAINMENT PTY LTD |
| File Number: | SYG 1138 of 2005 |
| Judgment of: | Raphael FM |
| Hearing date: | 29 June 2005 |
| Date of Last Submission: | 29 June 2005 |
| Delivered at: | Sydney |
| Delivered on: | 29 June 2005 |
REPRESENTATION
| Counsel for the Applicant: | Ms S Balafoutis |
| Counsel for the Respondent: | No Appearance |
ORDERS
The Respondent has infringed the Second to Fifth Applicants’ copyright in the following sound recordings referred to in the affidavits of Jason McLennan and Paul Condous sworn on 27 and 29 April 2005 respectively (the Identified Infringing Recordings);
Artist Title Big Audio Dynamite Rush George Michael Faith The Romantics What I Like About You Buggles Video Killed the Radio Star Eurythmics Sweet Dreams Dee –lite Groove is in the Heart J Geils Band Centrefold The Knack My Sharona David Bowie/Queen Under Pressure The Beatles Twist and Shout 500 Miles (I’m Gonna Be) Proclaimers
The Respondent, whether by itself, its servants, agents or otherwise, be permanently restrained from causing or authorising any of the Identified Infringing Recordings being heard in public without the licence of the relevant Applicant.
The Respondent, whether by itself, its servants, agents or otherwise, be permanently restrained from causing or authorising any sound recordings contained within the First Catalogue (as defined in Attachment A hereto) being heard in public, without the licence of the First Applicant or the respective copyright owner(s).
The Respondent shall pay the First Applicant the sum of $48,812.53 pursuant to s.115(2) of the Copyright Act 1968 (Cth).
The Respondent shall pay the First Applicant the sum of $9,268.43 as interest on s.115(2) of the Copyright Act 1968 (Cth) damages pursuant to s.76 of the Federal Magistrates Act 1999 (Cth).
The Respondent shall pay the First Applicant additional damages pursuant to s.115(4) of the Copyright Act 1968 (Cth) in the sum of $85,000.
The Respondent shall pay the First Applicant’s costs of this Application to be assessed in accordance with Schedule 1 of the Federal Magistrates Court Rules.
Order 6 is stayed for 21 days or until 9.15am on 28 July 2005 if the Respondent files prior to 20 July 2005 an application returnable on
28 July 2005 to be heard on the award contained therein.
| FEDERAL MAGISTRATES COURT OF AUSTRALIA AT SYDNEY |
SYG 1138 of 2005
| PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA… |
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- AGLC
- PPCA v Adelaide City Entertainment [2005] FMCA 923
- Case
- [2005] FMCA 923
- Decision Date
CaseChat Overview and Summary
The legal issues in the case were multifaceted. Primarily, the court had to ascertain whether the Defendant's use of the sound recordings constituted an infringement of copyright. This involved examining the nature of the Defendant's activities and the extent to which the sound recordings were used in public performances without proper authorisation. Additionally, the court had to determine the specific recordings that were infringed and the appropriate remedy for such infringements, including potential monetary compensation and injunctive relief.
The court found that the Defendant had infringed the copyright of the Plaintiff in the specified recordings by playing them in public without a license. The court considered the evidence presented, including affidavits from the Plaintiff's representatives, and concluded that the Defendant's actions constituted direct infringement of the copyright held by the Plaintiff. As a result, the court issued several orders, including permanent injunctive relief prohibiting the Defendant from playing the specified recordings without proper authorisation. Furthermore, the court awarded the Plaintiff monetary compensation and interest, totalling over $58,000, under the provisions of the Copyright Act 1968.
Orders
Orders of the court
1.
The Respondent has infringed the Second to Fifth Applicants’ copyright in the following sound recordings referred to in the affidavits of Jason McLennan and Paul Condous sworn on 27 and 29 April 2005 respectively (the Identified Infringing Recordings);
Artist
Title
Big Audio Dynamite
Rush
George Michael
Faith
The Romantics
What I Like About You
Buggles
Video Killed the Radio Star
Eurythmics
Sweet Dreams
Dee –lite
Groove is in the Heart
J Geils Band
Centrefold
The Knack
My Sharona
David Bowie/Queen
Under Pressure
The Beatles
Twist and Shout
500 Miles (I’m Gonna Be)
Proclaimers
2.
The Respondent, whether by itself, its servants, agents or otherwise, be permanently restrained from causing or authorising any of the Identified Infringing Recordings being heard in public without the licence of the relevant Applicant.
3.
The Respondent, whether by itself, its servants, agents or otherwise, be permanently restrained from causing or authorising any sound recordings contained within the First Catalogue (as defined in Attachment A hereto) being heard in public, without the licence of the First Applicant or the respective copyright owner(s).
4.
The Respondent shall pay the First Applicant the sum of $48,812.53 pursuant to s.115(2) of the Copyright Act 1968 (Cth).
5.
The Respondent shall pay the First Applicant the sum of $9,268.43 as interest on s.115(2) of the Copyright Act 1968 (Cth) damages pursuant to s.76 of the
Background
Background to the litigation
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Evidence
Evidence Before The Court
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Decision
Reasons for decision
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Ratio Decidendi
Legal Principle Established
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