Phonographic Performance Co. of Australia (Ltd) v Evermore Entertainment Pty Ltd
[2013] FCCA 17
•12 April 2013
FEDERAL CIRCUIT COURT OF AUSTRALIA
| PHONOGRAPHIC PERFORMANCE CO. OF AUSTRALIA (LTD) & ORS v EVERMORE ENTERTAINMENT PTY LTD & ANOR | [2013] FCCA 17 |
| Catchwords: PRACTICE AND PROCEDURE – Summary judgment pursuant to rule 13.07 of the Federal Magistrates Court Rules 2001 (Cth) – sufficient evidence before the Court to justify judgment being entered against the respondents. |
| Legislation: Copyright Act 1968, ss. 85(1)(b), 115(2), 115(4) Federal Magistrates Court Act 1999 (Cth), ss. 75, 76 Federal Magistrates Court Rules 2001(Cth) r. 13.07 |
| Cases cited: Phonographic Performance Co. of Australia Ltd v Adelaide City Entertainment [2005] FMCA 923 Phonographic Performance Co. of Australia v Advanced Beauty and Body Care Pty Ltd & Ors [2012] FMCA 486 Phonographic Performance Co. of Australia Ltd v All Girls Entertainment Pty Ltd [2010] FMCA 593 Phonographic Performance Co. of Australia v Camilleri [2012] FMCA 147 Phonographic Performance Co. of Australia v Jabouri Brothers Pty Ltd [2011] FMCA 799 Phonographic Performance Co. of Australia Ltd & Ors v The Martini Lounge & Nightclub Pty Ltd & Ors [2013] FMCA 67 Raben Footwear Pty Ltd v Polygram Records Inc & Anor (1997) 145 ALR 1 Sega Enterprises Ltd v Galaxy Electronics Pty Ltd (1998) 39 IPR 577 |
| First Applicant: | PHONOGRAPIC PERFORMANCE COMPANY OF AUSTRALIA LTD (ACN 000 680 704) |
| Other Applicants: | RECORD COMPANIES LISTED IN ATTACHMENT “A” |
| Respondent: | EVERMORE ENTERTAINMENT PTY LIMITED (ACN 126 885 247) |
| Second Respondent: | STEPHEN COWPER LORING LOWE |
| File Number: | SYG 2263 of 2012 |
| Judgment of: | Judge Lloyd-Jones |
| Hearing dates: | 10 January 2013 and 8 March 2013 |
| Delivered at: | Sydney |
| Delivered on: | 12 April 2013 |
REPRESENTATION
Counsel for the Applicant: | Mr S. Balafoutis |
| Solicitors for the Applicant: | Ms B. Davis of Phonographic Performance Company of Australia Ltd |
| The Respondents: | There was no appearance by the Respondents at either hearing |
ORDERS
On the Application in a Case filed on 21 December 2102 judgment against the Respondents pursuant to rule 13.07 of the Federal Magistrates Court Rules 2001(Cth).
The Respondents, whether by themselves, their servants, agents or otherwise be permanently restrained from causing or authorising any of the sounds recordings contained within the PPCA Catalogue to be performed in public without the licence of the relevant applicants.
Damages be awarded to the Applicants pursuant to s. 115(2) of the Copyright Act 1968 (Cth) in the sum of $39,946.90.
Damages be awarded to the Applicants pursuant to s. 115(4) of the Copyright Act 1968 (Cth) in the sum of $200,000.00.
Damages be awarded to the Applicants for breach of the Settlement Agreement in the sum of $17,175.12.
Interest be awarded to the Applicants pursuant to s.75 of the Federal Magistrates Court Act 1999 (Cth) in the sum of $4,753.76.
The Respondents are to pay the Applicants’ costs and disbursements of, and incidental to, the Application filed on 11 October 2013 and the Application in a Case filed 21 December 2012 fixed in the sum of $8,200.00.
| FEDERAL CIRCUIT COURT OF AUSTRALIA AT SYDNEY |
SYG 2263 of 2012
| PHONOGRAPIC PERFORMANCE COMPANY OF AUSTRALIA LTD (ACN 000 680 704) |
First Applicant
| RECORD COMPANIES LISTED IN ATTACHMENT “A” |
Other Applicants
And
| EVERMORE ENTERTAINMENT PTY LTD (ACN 126 885 247) |
First Respondent
| STEPHEN COWPER LORING LOWE |
Second Respondent
REASONS FOR JUDGMENT
Introduction
Before the Court is an application in a case filed on 21 December 2012 seeking default judgment pursuant to Rule 13.03B of the Federal Magistrates Court Rules 2001 (Cth) (the “FMC Rules”) or in the alternative, summary judgment pursuant to Rule 13.07 of the FMC Rules. The principal proceedings were commenced by an application filed on 11 October 2012 under the Copyright Act 1968 (Cth) (the “Copyright Act”). The proceedings arise from:
a)The alleged infringement by the respondents of copyright in certain protected sound recordings (“Copyright Infringement Claim”). The rights which are alleged to be infringed are conferred by s. 85(1)(b) of the Copyright Act, namely, to cause sound recordings to be heard in public; and
b)The alleged breach of an agreement between the first applicant and the respondents (“Breach of Contract Claim”).
Rule 13.07 of the FMC Rules deals with disposal of a matter by way of summary judgment. Because of the detailed and thorough preparation by the Phonographic Performance Company of Australia on its behalf and that of the other applicants I believe the appropriate approach, having regard to the circumstances and conduct of these proceedings, is to give summary judgment under rule 13.07. There is sufficient evidence before the Court to satisfy me that judgment should be entered against the respondents.
That application seeks relief in respect of the asserted infringement of copyright in sound recordings performed in public. The application seeks declaratory relief, a permanent restraining order, damages pursuant to s. 115(2) of the Copyright Act or, in the alternative at the election of the applicant, an account of profits, damages pursuant to s.115(4) of the Copyright Act, damages for breach of contract in the sum of $17,175.12 and interest pursuant to s. 76 of the Federal Magistrates Court Act 1999 (Cth) and costs.
The principal application by the first applicant, the Phonographic Performance Company of Australia (“PPCA”) and the other 1,124 applicants listed in Attachment “A” (“Record Companies”) (together, the “Applicants”) alleges that the first respondent, Evermore Entertainment Pty Ltd (“Evermore”) and the second respondent, Stephen Cowper Loring Lowe (“Lowe”) (together, the “Respondents”) have infringed the Record Companies’ copyright in certain sound recordings. Evermore has been the operator of the business known as Nevermind, incorporating a nightclub situated at Level 1, 163 Oxford Street, Darlinghurst, NSW (the “Venue”) from at least November 2008. Lowe is the sole officer of Evermore and is also the liquor license holder for the venue. The right that is alleged to have been infringed is conferred s. 85(1)(b) of the Copyright Act, being the right to cause sound recordings to be heard in public.
Copyright subsists in the following identified sound recordings:
Title
Artist
Applicant/Record Company (Copyright Control/Ownership)
Hey (Nah Neh Nah)
Milk and Sugar
Central Station Records/Universal Music Australia Pty Limited
Marry the Night
Lady Gaga
Universal Music Australia Pty Limited
Criminal
Britney Spears
Sony Music Entertainment Australia Pty Limited
Hangover feat. Flo Rida
Taio Cruz
Universal Music Australia Pty Limited
Get Back(ASAP)
Alexandra Stan
Central Station Records/Universal Music Australia Pty Limited
Turn This Club Around feat. U-Jean
R.I.O
Central Station Records/Universal Music Australia Pty Limited
Dirty Dancer feat. Usher
Enrique Iglesias
Universal Music Australia Pty Limited
Big
Sneaky Sound System
Universal Music Australia Pty Limited
Call on Me
Eric Prydz
Ministry of Sounds Pty Limited/Universal Music Australia Pty Limited
Somebody That I Used to Know feat. Kimbra
Gotye
Universal Music Australia Pty Limited
The organisation listed in the third column above (being one of the licensors) is the owner or exclusive licensee in Australia of the Copyright subsisting in the sound recording listed in the first column.
Copyright subsists in the sounds recordings under the labels identified at and is referred to as the PPCA Catalogue (“PPCA Catalogue”). The licensors are the owners or exclusive licensees in Australia of the copyright subsisting in all the sound recordings referred to in the PPCA Catalogue. Evermore and Lowe infringed the copyright subsisting in the identified sound recordings by, without the license of the respective applicant or PPCA, causing or authorising the identified sound recordings to be heard in public.
In addition to the infringements alleged in [4], from at least or from about 1 July 2011 Evermore and Lowe have infringed the copyright subsisting in the sound recordings within the PPCA Catalogue by, without the license of the relevant licensor or PPCA, causing or authorising sound recordings within the PPCA Catalogue to be heard in public. On or about 18 September 2009, Evermore and Lowe entered into an agreement with PPCA in relation to the settlement of a claim made by PPCA in respect of Copyright infringement of protected sound recordings performed at the Venue on 9 May 2009. In that agreement, Evermore and Lowe admitted infringement of copyright in identified sound recordings within the PPCA Catalogue. On the occasions that PPCA officers visited the venue, sound recordings within the PPCA Catalogue were heard in public. It is claimed that there is no reason to believe that the sound recordings would have been played on only these occasions, and not others. In the period from 1 July 2011 until the commencement of these proceedings on 11 October 2012, PPCA has written to Evermore and Lowe on numerous occasions. In that correspondence PPCA has alleged that Evermore and Lowe were playing sound recordings found in the PPCA Catalogue. Evermore and Lowe have never denied this allegation.
As a result of the infringements referred to in [5] and [6] above, PPCA and the respective Record Companies have suffered loss and damage. The PPCA and the Record Companies seek damages and orders restraining Evermore and Lowe from causing the sound recordings to be played by Evermore and Lowe in public. Pursuant to input agreements entered into between PPCA and the Record Companies, PPCA is entitled to commence proceedings in connection with the infringement of the Record Companies’ rights (Affidavit of Anna Killick sworn 20 December 2012). As the holder of a non-exclusive license, PPCA can sue for breach of copyright if it joins the owners of the copyright as a co-plaintiff: Sega Enterprises Ltd v Galaxy Electronics Pty Ltd (1998) 39 IPR 577 at 581 – 582.
It is for this reason that the PPCA has joined all the Record Companies as applicants. The PPCA has adopted a similar method in Phonographic Performance Co. of Australia Ltd v Adelaide City Entertainment [2005] FMCA 923; Phonographic Performance Co. of Australia Ltd v All Girls Entertainment Pty Ltd [2010] FMCA 593; Phonographic Performance Co. of Australia v Jabouri Brothers Pty Ltd [2011] FMCA 799; Phonographic Performance Co. of Australia v Camilleri [2012] FMCA 147; Phonographic Performance Co. of Australia v Advanced Beauty and Body Care Pty Ltd & Ors [2012] FMCA 486 and Phonographic Performance Co. of Australia Ltd & Ors v The Martini Lounge & Nightclub Pty Ltd & Ors [2013] FMCA 67.
A genuine steps statement as required by s. 6 of the Civil Dispute Resolution Act 2011 (Cth) was filed on 11 October 2012. It sets out the following steps that have been taken to try to resolve the issues in dispute between the applicants and respondents in these proceedings:
1. The First Applicant, PPCA, has communicated with the Respondents on behalf of all other Applicants.
2. The Respondents are responsible for the nightclub known as Nevermind, located at Level 1, 163 Oxford Street, Darlinghurst New South Wales 2010 (“the Venue”).
3. The proceedings arise from the Applicants’ claim that the Respondents (or either of them) have infringed copyright in certain protected sound recordings performed in public at the Venue, without the appropriate licence being in operation and that the Respondents breached the terms of a written agreement with the First Applicant dated on or around 27 August 2009 (“Written Agreement”).
4. The First Applicant issued the Respondents with a notice terminating the Written Agreement, which took effect on 30 June 2011. A Creditor’s Statutory Demand (“Demand”) was also served on the Respondents in respect of outstanding licence fees.
5. On or about 9 November 2011, PPCA and the First Respondent signed a further agreement for the purpose of settling PPCA’s claim for unpaid fees pursuant to the Written Agreement and the Demand. The Respondent failed to satisfy this further agreement.
6. On 10 December 2011, PPCA obtained evidence of the unauthorised performance of protected sound recordings at the Venue. By letter dated 11 January 2012, PPCA’s Legal Department advised the Respondents of the Applicants’ claim.
7. Between January 2012 and April 2012 PPCA had numerous without prejudice communications with the Second Respondent in respect of PPCA’s claim and the further agreement referred to in paragraph 5 above. These discussions did not result in resolve PPCA’s claim.
8. On 30 April 2012, a draft of the Application herein was sent to the Respondents.
9. On 22 June 2012, PPCA obtained further evidence of the unauthorised performance of protected sound recordings at the Venue. By letters dated 7 August 2012, PPCA’s Legal Department advised the Respondents that this further evidence would also form part of the Applicants’ claim against them for infringement of copyright. A draft of Statement of Claim herein was also provided by PPCA’s Legal Department to the Respondents.
10. No response was received from the Respondents in relation to the communication referred to in paragraphs 6 to 9 above.
The principal proceedings were listed for a first court date directions hearing on 9 November 2012. PPCA and the Record Companies were represented by Ms B. Davis and the Respondents by Lowe. This was the only appearance by or on behalf of the Respondents. At the subsequent hearings on 10 January 1013 and 8 March 2013 there was no appearance for the Respondents. Mr Lowe’s attendance at the initial directions enabled him to be well aware of the orders made and their significance. No response was filed, nor any other material by the Respondents. The following orders were made:
1. The Respondents are to file and serve on the Applicants a response to the application no later than 23 November 2012.
2. In default of compliance with order 1, the Applicants may have leave and liberty to apply for default judgment.
3. The Applicants may issue Notices to Produce by 30 November 2012, returnable on 14 November 2012.
4. If Order 1 is complied with, the following orders shall apply:
(a) The Applicants are to file and serve on the Respondents any further affidavit evidence relied upon by 14 December 2012;
(b) The Respondents are to file and serve on the Applicants any affidavit evidence relied upon by 18 January 2013;
(c) The Applicants are to file and serve on the Respondents any evidence in reply by 25 January 2013; and
(d) The matter is to be listed for hearing for two days on dates to be fixed by the Court.
5. The matter is referred to the District Registrar pursuant to the Federal Magistrates Court Rules for mediation. The mediation occur on or before 18 January 2013.
6. The Applicants advise my associate of the outcome of the Court mediation within 7 days of it occurring.
7. Costs of today’s directions hearing be reserved.
On 21 December 2012 an Application in a Case was filed by PPCA seeking the orders which are set out at [2] above. In support of that application PPCA filed the Affidavit of Anna Killick sworn 20 December 2012 (the “Killick Affidavit”).
As a result of Order 5 made on 9 November 2012 the NSW Registry of the Federal Magistrates Court advised the parties that the matter was listed for mediation in a conference room on Level 17 of the Law Courts Building, Queens Square, Sydney at 10.15am on Thursday 10 January 2013. By letter dated 21 December 2012 a solicitor in the employ of PPCA advised the Court’s Registry that Order 1 of the Orders dated 9 November 2012 requiring the Respondents to serve and file a response to the application by 23 November 2012 had not been complied with. Consequently, pursuant to Order 2 of those orders PPCA was, therefore, applying for default judgment against the Respondents and would be lodging an application in a case so seeking in the Registry on that date.
In the circumstances PPCA advised it would not be necessary for the parties to attend the mediation listed to occur on 10 January 2012 and, therefore, requested that the Court cancel the mediation. A copy of that letter was forwarded to the Respondents. On 7 January 2013 I made orders that the mediation listed for 10 January 2013 be vacated and the matter be listed for directions before the Court at 10.15am on 10 January 2013, with the Court’s Registry to advise the parties accordingly.
At the hearing on 10 January 2013 PPCA was represented by Ms B. Davis, but there was no appearance for, or on behalf of, Evermore or Lowe. Ms Davis moved on the Application in a Case filed on 21 December 2012 and read the following affidavits in support:
a)Affidavit of Rosanna Zumbo sworn 5 October 2012 (the “Zumbo Affidavit”);
b)Affidavit of John Sainsbury sworn 26 October 2012 (the “Sainsbury Affidavit”);
c)Affidavit of Service of Adam Maguire sworn 29 October 2012;
d)Affidavit of Service of Michael Rumore sworn 19 October 2012;
e)Affidavit of Anna Killick sworn 20 December 2012;
f)Affidavit of Service of Thomas Ross sworn 9 January 2013; and
g)Affidavit of Service of Thomas Ross sworn 9 January 2013.
In the circumstances, based on the very substantial and detailed affidavits filed and read in these proceedings and in the absence of any response or appearance for or on behalf of Evermore or Lowe I was satisfied that the damages in respect of the copyright infringement and the breach of contract claims were made out.
In the Killick Affidavit Ms Killick who is employed as corporate counsel for PPCA states that one of her responsibilities within PPCA is the management of its National Enforcement Programme (“Programme”). The Programme aims to protect the interests of the Record Companies who license their public performance rights to PPCA (“Licensors”) as well as Australian recording artists, by obtaining evidence of the unauthorised performance of protected sound recordings in public places and taking legal action based on this evidence. PPCA arranges for anonymous inspection of businesses that it believes require a licence for the public performance of protected sound recordings, but which do not appear to have obtained one. These proceedings arise from the unauthorised public performance of protected sound recordings at the Venue. PPCA obtained its evidence of the unauthorised public performance of sound recordings at the Venue through the Programme.
The Killick Affidavit at [7] states that these proceedings are the direct results of the Respondents’ failure to obtain a public performance licence in respect of protected sound recordings from 1 July 2011. However, this failure forms part of a history of dealings between PPCA and the Respondents. This issue also includes incidences of infringement of copyright in protected sound recordings other than those to which these proceedings relate, being periods during which the Venue was licensed by PPCA, where the Respondents breached the terms of the PPCA Licence by failing to pay fees due there-under, resulting in termination of that Licence by PPCA.
I adopt from the Killick Affidavit paragraphs [8] – [19], with minor amendments that effectively set out the procedural steps that took place between the date of filing of the principal proceedings until the trigger event of the filing of the Application in a Case on 21 December 2012:
8. The Application and Statement of Claim … were lodged on 11 October 2012.
9. The Affidavit, Statement of Claim and Affidavit of Rosanna Zumbo with exhibit were served personally on the Respondents (together with the Applicants’ Genuine Steps Statement) on 19 and 26 October 2012.
10. The Affidavit of Service of Michael Rumore, dated 19 October 2012, which related to the service of the documents referred to in the previous paragraph on the First Respondent, was filed by the Applicants on 8 November 2012.
11. The Affidavit is Service of Adam Maguire, dated 29 October 2012, which related to the service of the documents referred to in paragraph 9 on the Second Respondent, was also filed by the Applicants on 8 November 2012.
12. The Affidavit of John Sainsbury dated 26 October 2012 was filed by the Applicants on 30 October 2012. It was served on the Respondents under cover of a letter dated 5 November 2012, sent by email and post. A copy of this letter and covering email is at page 1 and 2 of “AK1”.
13. The first hearing of this matter was listed for 9 November 2012 at 9:30am before [the Court]. (Ms B Davis appeared for PPCA). The Second Respondent appeared on his own behalf.
14. A copy of the Order made by [the Court] on 9 November 2012 [appearing at [10] above]. In particular, paragraph 1 of the 9 November Order obliges the Respondents to file and serve a Response to the Application no later than 23 November 2012. Paragraph 2 of the 9 November Order entitles the Applicants to make an application for default judgment in the event that the Respondents do not comply with the Order at paragraph 1.
15. On 13 November 2012, PPCA wrote to the Respondents, by post, providing an unsealed copy of the 9 November Order. … They were sent to the registered office address for the First Respondent and the home address of the Second Respondent.
16. On 21 November 2012, PPCA wrote to the Respondents providing a sealed copy of the 9 November Order. … The letter reminded the Respondents of the deadline to file and serve a Response to the Application as set out in the 9 November Order and of the Applicants’ ability to apply for judgment in default in the absence of that Response.
17. No Response to the Application was received from the Respondents on 23 November 2012.
18. On 26 November 2012, PPCA wrote to the Respondents confirming that it had not received any Response to the Application. … The letters gave the Respondents until 30 November 2012 to file their Response, failing which this Application, for judgment in default, would be made.
19. [At the time of the preparing, swearing and filing of the Killick Affidavit] the Respondents have not responses to the letters referred to in the previous paragraph. Moreover, the Respondents have failed to comply with Order 1 of the 9 November Order.
As noted elsewhere in this judgment, there is a substantial body of affidavit evidence clearly articulating the relationship between the parties to these proceedings. This evidence indicates that Evermore commenced operation at the Venue in sometime during 2008 and was referred to PPCA at sometime in April 2009 because its operators had failed to obtain a licence for the public performance of protected sound recordings, despite PPCA’s licensing department having written to Evermore on several occasions to notify the operators they required a licence for the public performance of protected sound recordings.
Evidence of infringement of copyright in protected sound recordings was initially obtained on 9 May 2009. Correspondence from PPCA to the Respondents dated 29 May 2009 resulted in the Respondents submitting an application for a licence for the Venue. The Respondents also entered into a confidential settlement agreement with PPCA for payment of fees for the period of the Venue’s operation. The Venue remained licensed by PPCA under the Licence Agreement until 30 June 2011. In mid-June 2011 the Venue was referred back to PPCA’s Department of Business and Legal Affairs because Evermore failed to pay PPCA’s licence fees pursuant to the Licence Agreement. Evermore was given till 30 June 2011 to pay the outstanding licence fees which at that time amounted to $15,059.97, failing which the Licence Agreement would terminate. Various correspondence is attached to the Killick Affidavit detailing the breach of agreement, the terms of settlement and any further public performances of protected sound recordings.
On or about 31 August 2011 a creditor’s statutory demand dated 22 August 2011 was served on Evermore on behalf of PPCA in respect of the unpaid licence fees due pursuant to the Licence Agreement. The statutory demand claimed the sum of $14,976.12.
On 9 November 2011 PPCA signed a further confidential settlement agreement with the Respondents, pursuant to which the Respondents were to, among other things, pay the licence fees due to PPCA and claimed in the statutory demand, together with costs. The Respondents did not comply with the terms of the agreement and no payments were made to PPCA, nor did the Respondents apply to PPCA for a new licence in respect of the public performance of protected sound recordings at the Venue from 1 July 2011. On or around 13 November 2011, it came to PPCA’s attention that a strike-off action was underway in relation to the Evermore’s registration as a company. Consequently, PPCA was not able to rely on their statutory demand. Evermore was deregistered from 8 January 2012.
The Killick Affidavit then provides a comprehensive summary of the events that led to the present claim of copyright infringement. As a consequence of the failure by the Respondents to comply with the terms of the settlement agreement and the de-registration of Evermore, an inspection of the venue was undertaken to establish if it continued to operate and if it was using PPCA Catalogue material. An inspection was initially carried out on 10 December 2011 by Rosanna Zumbo which revealed that the Venue continued to operate and on the inspection day used seven titles from the PPCA Catalogue. Correspondence in respect of this breach was forwarded to Lowe at his personal address.
During January 2012 Lowe advised PPCA by email that he was in the process of selling the venue as well as reinstating Evermore to the Register of Companies. During February 2012 PPCA and Lowe communicated, on a without prejudice basis, with a view to settling PPCA’s claim without recourse to legal proceedings, but these discussions did not result in a settlement, nor were any sums paid in respect of the previously unpaid licence fees. A company search dated 8 February 2012 revealed that Evermore was again registered by ASIC by that date. During the months of March and April 2012 various correspondence between the parties revealed that there was no settlement date for the proposed sale of the Venue.
On 30 April 2012 PPCA wrote to the Respondents confirming that proceedings would be lodged against them in the near future and provided them with a copy of the draft application. PPCA resolved to conduct another inspection of the venue prior to commencing these proceedings. That inspection was conducted on 22 June 2012 by John Sainsbury and that inspection identified three protected sound recordings being played in public at the Venue. The Zumbo Affidavit and Sainsbury Affidavit provide details of their respective inspections of the Venue and are, effectively, referred to and summarised in the Killick Affidavit.
The claims made by the Applicants are brought under s. 115 of the Copyright Act. The first issue the Court must be satisfied of is that the Applicants have copyright. Under s. 126 of the Copyright Act there are two presumptions in relation to the existence of copyright:
In an action being brought by virtue of this part:
(a) Copyright shall be presumed to subsist in the work or other subject matter to which the action relates. If the defendant does not put in issue the question whether the copyright subsists in the work or other subject matter; and
(b) Where the subsistence of copyright is established – the plaintiff shall be presumed to be the owner of the copyright if he or she claims to be the owner of the copyright and the defendant does not put in issue the question of his or her ownership.
In these proceedings the Respondents have failed to file a response as ordered at the first court date directions hearing on 9 November 2012. On that date Lowe appeared representing himself but there was no formal appearance for or on behalf of Evermore. The order requiring the Respondents to file a response by 23 November 2012 was made in Lowe’s presence. Subsequent to that directions hearing on 13 November 2012 PPCA wrote to the Respondents by post providing an unsealed copy of the 9 November 2012 Orders. That correspondence was sent to the registered office address of Evermore and the home address of Lowe.
On 21 November 2012 PPCA again wrote to the Respondents providing a sealed copy of the 9 November 2012 Orders. In the 21 November 2012 Letter a reminder was provided to the Respondents of the deadline to file and serve a response to the application as set out in the 9 November 2012 Orders and of the Applicants’ ability to apply for a judgment in default, in the absence of that response (Killick Affidavit at [14] – [16]). When the matter was called back for directions on 10 January 2013 and again on 8 March 2013 there was no appearance for or on behalf of the Respondents. Consequently, the question of whether copyright subsists in the work and the Applicants’ claim to be the owner of the copyright has not been put in issue.
I am satisfied that I am entitled to apply these presumptions that copyright subsists in each of the recordings referred to as having been played in the Zumbo Affidavit and Sainsbury Affidavit, and that PPCA and the other Applicants listed in Attachment “A” who are the copyright owners of those recordings are entitled to bring these proceedings. As there has been no suggestion by Evermore or Lowe that recorded music has not been played at the Venue, Nevermind, since termination of the August 2009 Written Agreement (see [9.3] above) effective on 30 June 2011 or that such recorded music is music that is not part of the PPCA Catalogue I am also satisfied that I may infer that the Respondents have been infringing copyright since that date.
In respect of the copyright infringement claim I determined that Evermore and Lowe were liable to pay the sum of $39,946.90, pursuant to s. 115(2) of the Copyright Act (Statement of Claim at [21(b)]). In respect of the breach of contract claim, I determined that Evermore and Lowe were liable to pay the sum of $17,175.12 for breach of the Agreement (Statement of Claim at [21(d)]). However, in respect of the copyright infringement claim I did not make orders for additional damages pursuant to s.115(4) of the Copyright Act, nor did I make an order for the payment of interest on the sums awarded or the costs of the application. In regard to these issues I required the Applicants to make written submissions addressing these issues to assist in the preparation of written reasons and orders in relation to these outstanding issues.
Section 115(4) of the Copyright Act permits the Court to award additional damages where an infringement of copyright has been established and where the Court considers it proper to do so. The principles are well established and the purpose is to penalise an infringer of copyright. Additional damages are an independent head of relief, beyond the objective of compensation for the copyright owner: Raben Footwear Pty Ltd v Polygram Records Inc & Anor (1997) 145 ALR 1 at 6. The relevant factors in this matter which the court may take into account include flagrancy of infringement (s. 115(4)(b)(i)), need to deter similar infringements (s.115(4)(b)(ia)), the conduct of the defendant after the act constituting the infringement or, if relevant, after the defendant was informed that the defendant had allegedly infringed the plaintiff’s copyright (s.115(4)(b)(ib)), any benefit shown to have accrued to the defendant by the reason of the infringement (s.115(4)(b)(iii)), or other relevant matters (s.115(4)(b)(iv)).
In respect of the issue of flagrancy of the infringement, pursuant to the affidavit material before the Court there can be no doubt that the respondents have deliberately the Record Companies’ copyright. PPCA took the following steps to notify the Respondents of the nature of the infringements:
a)On 17 June 2011, PPCA provided the Respondents with a notice of termination of Evermore’s licence which was due to expire on 30 June 2011, along with the consequences of that termination (Killick Affidavit, Annexure “AK1” pp.37 – 38). No response was received; and
b)Since 1 July 2011 the Respondents have been given several separate communications notifying them that they were obliged to enter into a new licence agreement and pay licence fees following the termination of the previous Licence Agreement. The Respondents failed to obtain a licence or pay licence fees and continued to publicly play the Record Companies’ recorded material without a licence. These communications included:
i)On 5 July 2011 the Respondents were advised that Evermore’s licence had terminated on 30 June 2011 and that any public performance of the protected sound recordings at the Venue would amount to an infringement of copyright. This letter was sent to the Venue’s trading address, Lowe’s personal address and Evermore’s registered office address (Killick Affidavit at [33]);
ii)On 23 November 2011 the Respondents were advised by letter, again summarising the position in relation to any public performance of protected sound recordings at the Venue. This letter was sent to the Venue’s trading address, Lowe’s personal address and to Evermore’s registered office address (Killick Affidavit at [38]);
iii)On 11 January 2012 a letter to the Respondents advised them that an inspection of the Venue had been conducted and that seven protected sound recordings had been heard at the Venue on 10 December 2011 (Killick Affidavit at [41]). This inspection was conducted by Rosanna Zumbo (Zumbo Affidavit). The letter was sent to the Venue’s trading address, Lowe’s personal address and Lowe via email message (Killick Affidavit at [41]);
iv)On 25 January 2012 Lowe advised PPCA by email that he was in the process of selling the Venue. On the same day by email PPCA requested information of the date upon which the Venue was to be sold. Lowe responded that there was no set date and that he would keep PPCA informed as to any settlement date (Killick Affidavit at [42] – [44]);
v)On 8 March 2012 further email exchanges took place between the parties, in which PPCA again sought confirmation of the settlement date for the Venue’s sale and Lowe stated he did not have one (Killick Affidavit at [49]);
vi)On 10 April 2012 PPCA wrote to Lowe requesting he provide an update in relation to the position of the Venue (Killick Affidavit at [50]);
vii)On 30 April 2012 PPCA wrote to Lowe advising that proceedings would be lodged in the near future and provided a draft application. Copies of the letter were sent to the Venue’s trading address, Evermore’s registered address and Lowe’s personal address (Killick Affidavit at [50]); and
viii)On 7 August 2012 the Respondents were advised of the results of a second inspection of the Venue carried out by John Sainsbury on 22 June 2012 (Sainsbury Affidavit, Killick Affidavit at [51]) and enclosed a copy of the draft statement of claim (Killick Affidavit at [52] – [53]).
The Zumbo Affidavit and Sainsbury Affidavit detail the infringements that occurred during the inspections of the Venue on 10 December 2011 and 22 June 2012. The submissions prepared by Ms Killick indicate that in addition to that sworn evidence on two specific dates, at other times the Respondents have infringed the Record Companies’ copyright by causing or authorising the Record Companies’ sound recordings to be heard in public at the Venue without a licence since 1 July 2011 and that activity is continuing. The material provided to support that inference is as follows:
a)The playing of recorded music is inherent in nightclubs such as the Venue;
b)Evermore held a PPCA licence for the public performance of protected sound recordings at the Venue for the period 1 November 2010 to 30 June 2011, supporting the view that such a business would use recorded music in its operation as a matter of course (Killick Affidavit, Annexure “AK1” pp. 58 – 59);
c)PPCA contacted the Respondents on several separate occasions, upon and after the termination of the previous licence concerning the failure to obtain a licence. Over that period, the Respondents did not deny that they were publicly playing the Record Companies’ sound recordings at the Venue (Killick Affidavit at [41] – [53]);
d)The Respondents have not adduced any evidence denying that recorded music was played at the Venue; and
e)The Respondents have not denied playing the Record Companies’ sound recordings in the past.
Based on the affidavit material before the Court and the absence of any response or appearance by the Respondents I am satisfied that the Respondents have been infringing the Record Companies’ copyright by causing or authorising the Record Companies’ sound recordings to be heard in public without a licence since 1 July 2011 and that such infringements continue.
In respect of the need to deter similar infringements Ms Killick in her written submissions to the Court states that the public performance of protected sound recordings without a licence has become an endemic problem in the recording industry as the very large number of commercial ventures in Australia playing protected sound recordings makes it difficult for PPCA and copyright owners to identify, investigate and prosecute infringers, whereas it is very easy for infringers to play sound recordings and evade detection due to the limited resources of PPCA. The Respondents are leading examples of infringers as a result of the nature of their business, their behaviour and their calculated decision to continue infringing.
The correspondence attached to the Killick Affidavit shows that the Respondents have made a deliberate decision to disregard PPCA’s demands and these proceedings. The Respondents have:
a)Failed to pay the relevant licence fees which subsequently resulted in the Venue’s PPCA licence being terminated;
b)Not complied with an agreement entered into to satisfy the outstanding licence fees;
c)Refused to obtain a licence while continuing to trade, despite the many demands made by PPCA over the period of 12 months; and
d)Failed to comply with orders made by the Court in these proceedings.
The Respondents left PPCA with no choice except to commence court proceedings against them. In relation to the act of continuing the infringement after being informed, on the information before the Court, the following has occurred:
a)On 5 July 2011 PPCA wrote to the Respondents informing them that they would infringe the Record Companies’ copyright if a licence was not obtained;
b)In the period since 5 July 2011 PPCA has contacted the Respondents on several separate occasions, however, the respondents have never denied that they have been infringing the Applicant’s copyright. The Respondents have sought to delay and obfuscate the Applicants by ignoring PPCA’s correspondence and at other occasions promising to deal with the matter in the near future;
c)From 1 July 2012 up until the date of the written submissions prepared by Ms Killick, the Venue continued to operate and publicly play the Record Companies’ sound recordings without a licence; and
d)The Respondents have not paid any part of the licence fees owing to PPCA.
Any benefit accruing to the Respondents by reason of the infringement is significant. The public performance of sound recordings is not a minor or incidental part of the Venue’s business. As a nightclub, the Venue generates its business by playing the Record Companies’ sound recordings. By refusing to pay licence fees the Venue has lowered its costs of doing business and gained a competitive advantage over its competitors who do abide by the law. The result is that law abiding companies are unfairly disadvantaged by the Respondents’ conduct.
In respect of other relevant matters the written submissions prepared by Ms Killick seek to draw the Court’s attention to the following issues:
a)If no order for additional damages is made against the Respondents other than legal costs the Respondents will have suffered no real penalty for deliberately refusing to pay licence fees to the Applicants for a protracted period;
b)The Respondents have expressed no contrition for refusing to pay licence fees and for putting the Applicants to the time and expense of bringing these proceedings. It is highly likely that the Respondents are continuing to infringe the Record Companies’ copyright;
c)The Respondents have not filed or served any documents in these proceedings; and
d)The Respondents have made no promise to cease playing the Record Companies’ recorded music and have not paid any past licence fees.
This is not the first time the Respondents have operated the Venue without paying licence fees to the Applicants. The Respondents failed to obtain a PPCA licence when they commenced trading at the Venue in late 2008, and only applied for such licence upon PPCA placing the Venue into its National Enforcement Programme and making a legal complaint of copyright infringement against the Respondents as a result of the evidence gathered by its National Enforcement Programme (Killick Affidavit at [22] – [28]).
In determining the appropriate additional damages under s.115(4) of the Copyright Act Ms Killick, in her written submissions, draws the Court’s attention to the following:
a)The Respondents’ conduct is not an isolated event:
b)The Respondents have received a very substantial pecuniary benefit from the public performance of the Record Companies’ sound recording by avoiding paying licence fees of approximately $50,000;
c)The Respondents operate a high profile nightclub and use sound recordings in it in an extremely prominent manner, conduct which is likely to influence others in the industry, justifying a particularly strong need for a deterrent; and
d)The Respondents have refused to express any contrition at all and the Venue continues its infringing conduct. The Respondents have made no promise to cease playing the Record Companies’ recorded music or start paying licence fees in the future. Given that the Venue continues to operate it is highly likely that the infringement of the Record Companies’ copyright is continuing.
Consequently, the Applicants contend that the award of additional damages should be at the higher end of the scale compared against other cases awarding damages when the infringement of copyright has been established.
In Ms Killick’s written submissions at [40] – [50] she identifies a number of decisions in which additional damages have been awarded. These cases give a range of damages. Phonographic Performance Co. of Australia Ltd v Adelaide City Entertainment [2005] FMCA 923 and Phonographic Performance Co. of Australia Ltd v All Girls Entertainment Pty Ltd [2010] FMCA 593 concern cases where the public performance of sound recordings occurred in a nightclub, similar to the situation in the matter currently before this Court. The decisions in Phonographic Performance Co. of Australia v Jabouri Brothers Pty Ltd [2011] FMCA 799, Phonographic Performance Co. of Australia v Camilleri [2012] FMCA 147 and Phonographic Performance Co. of Australia v Advanced Beauty and Body Care Pty Ltd & Ors [2012] FMCA 486 concern the playing of sound recordings in a clothing store, by jukebox in a hotel and in a beauty salon, respectively. In the case of Adelaide City Entertainment (supra), the respondent did not pay any licence fees prior to the hearing and did not attend the hearing. The sum of $85,000 by way of additional damages was awarded, noting the amount was restricted because the Respondents may not have entirely realised the seriousness of their conduct and its repercussions.
That qualification does not apply in the proceedings before this Court as the Respondents have been dealing with this issue of breach over a considerable period, resulting in two different settlement arrangements which were subsequently breached and as the public performance of sound recordings continued after these proceedings were commenced. In the case of All Girls Entertainment (supra) one of the directors attended the hearing, but did not file any evidence or pay any outstanding licence fees. In the other three identified cases (noted at [42] above) the music was being used in a manner that was secondary to the primary endeavours of the organisation, whereas in the matter before this Court the Respondents have received a substantial pecuniary benefit from the public performance of the Record Companies’ sound recordings while avoiding the payment of approximately $50,000 in licence fees.
In the circumstances, I award PPCA on behalf of all of its licensors the sum of $200,000, by way of additional damages under subsection 115(4) of the Copyright Act and this should act as a warning to other current and potential infringers.
I am satisfied on the material before the Court that the copyright infringement by the Respondents is most likely to continue as there has been no evidence, submissions, or appearance (other than at the first court date by Lowe) by or on behalf of the Respondents to indicate to the Court they intend to pay the outstanding fees plus pursue a new licence, or cease playing the Record Companies’ recorded music. Given that the Venue continues to operate it is highly likely that the infringement of the Record Companies’ copyright will continue.
In these circumstances a final injunction is warranted in broad terms to prevent further flagrant breach of the Applicants’ copyright. PPCA seeks interest, pursuant to s.76 of the Federal Magistrates Court Act 1999 (Cth) on the damages awarded against Evermore and Lowe for the breach of contract and pursuant to s.115(2) of the Copyright Act. The Applicants have calculated interest due on the sums awarded on 10 January 2013 at $4,753.76. PPCA also seeks an order for its costs and disbursements, fixed in the sum of $8,200 which has been the amount awarded in similar cases.
I certify that the preceding forty-six (46) paragraphs are a true copy of the reasons for judgment of Judge Lloyd-Jones
Date: 12 April 2013
!!!!Ace Label Copy!!! (PPL)
!K7 Records (!K7 Records)
(APC) (Apparell Music Classics (PPL)
(APD) (Apparell Music Digital) (PPL)
(APF) (Apparell Music Flash) (PPL)
(APL) (Apparell Music Ltd) (PPL)
(EV3) Evolution 3 Ent. (PPL)
(SZR) Music (PPL)
0907 Entertainment (PPL)
0DB Records (PPL)
10 Against One (PPL)
10 Music and Media Limited (PPL)
10 Records (EMI)
10 Tonne (PPL)
10 White Recordings (PPL)
100 Anthems (PPL)
100 Records (PPL)
100% (PPL)
100% Cheese (PPL)
100% Records (PPL)
100M Records (PPL)
1001 Music (PPL)
101 Production Music (101 Production Music)
101 Records (PPL)
10410Records (PPL)
106 Records (PPL)
10am Records (PPL)
11-7 Recordings (Universal)
1234 Records (PPL)
12th Street Recordings (PPL)
12tone (PPL)
12tone C.I.C (PPL)
130701 Ltd (PPL)
132 Street Records (PPL)
13th Hour Recordings (EMI)
13th Moon (PPL)
13th Moon Records (PPL)
143 Records (Warner)
14th Floor Records Limited (Warner)
1812 Recordings (PPL)
19 Recordings Ltd / Moody Produc (PPL)
1965 Records (Shock Entertainment)
1967 Limited (Warner)
1974 Records (PPL)
1980 Recordings (PPL)
1989 Pty Ltd (1989 Pty Ltd)
1-Off/Absolution Records (PPL)
1bpm Recordings (PPL)
1 Life Productions (PPL)
1Trax (PPL)
2 Brains Entertainment (Subsonic)
2 Dub Productions (PPL)
2 Feet Music (PPL)
2 Hot 2 Handle Productions (PPL)
2 Step Recordings (PPL)
2 Step Records (PPL)
20 20 D-Vision (PPL)
20-20 LLC (Sony Music Ent)
2002 Studios (PPL)
2020 Vision (PPL)
206 Recordings (PPL)
208 Records (PPL)
21st Century Generation (PPL)
21st Century Studios Ltd (PPL)
21-Ten Music (PPL)
23rd Precinct (PPL)
23rd Precinct (Subsonic)
24/7 Musicshop (Warner)
25th Frame Productions (PPL)
28 Days Pty Ltd (28 Days Pty Ltd)
2be Records (PPL)
2boot Music (PPL)
2Brains (Onehill Records B.V.)
2CBeats (PPL)
2drunk2funk Records (PPL)
2econd Wind Productions (PPL)
2h2h Productions (PPL)
2M (PPL)
2nd City Records (PPL)
2NV Records (PPL)
2Point9/Jayded Records (PPL)
2Step Music Limited (PPL)
2XS (PPL)
3AM Jam Records (Yes Yes Records)
3 Bar Fire (PPL)
3Massive (Dead Letter Cricus)
3 Monkeys (PPL)
3 Monkies (PPL)
3 Soul Recordings (PPL)
3024 (PPL)
30 Hertz Records (PPL)
30:30 Recordings (PPL)
32019737 Canada Inc (Liberation Music)
33 Jazz (PPL)
33 Point 3 (PPL)
33 Records (PPL)
333 Records (PPL)
33 WM (PPL)
3-5-2 Recordings (PPL)
360 Artist Development (PPL)
360 Degree Music (PPL)
360 Records (PPL)
369 Music (PPL)
3BS (PPL)
3by3 (PPL)
3D Mode Limited Edition (PPL)
3D Mode Recordings (PPL)
3DE Pty Ltd (3DE Pty Ltd)
3DM Records (PPL)
3e Media (Warner)
3rd Stone (PPL)
3J Records (PPL)
3TJ Music (PPL)
4 D Records (PPL)
4 Men With Beards (Fuse Music Group P/L)
4 Pound Records (PPL)
4 Real Communications (PPL)
4 Real Records (PPL)
4 Tunes (PPL)
4 Zero Records (PPL)
40 Records (EMI)
405 Recordings (Xelon Entertainment)
430 West (PPL)
456 Records (Hot)
48V Records (PPL)
4A Media (PPL)
4AD (Remote Control)
4Eva (PPL)
4Play Recordings Ltd (PPL)
4th Fret (PPL)
4th Street Music (PPL)
4th Street Records (PPL)
4th Sun (EMI)
4-Tune (PPL)
4X4 (PPL)
5 Minute Walk (PPL)
50:50 Recordings (PPL)
50:50 Recordings Limited (PPL)
500 Rekords (PPL)
5000 (PPL)
5002 Records (PPL)
500CC Records (PPL)
504 (PPL)
51 Lex Records Ltd (PPL)
52 New Things (PPL)
550 Music (Sony Music Ent.)
5HQ Records (PPL)
5MC (PPL)
5MC-Kabin Fever Productions (PPL)
5th Avenue South (PPL)
6060 Entertainment Ltd (PPL)
6060 Music (PPL)
679 Recordings (Plan B)(Shock Entertainment)
679 Recordings Limited (Warner)
68 Recordings (Armada Music)
7 (PPL)
7 Grand Recordings (Guru)(Shock Entertainment)
7 T’s (PPL)
7 World Music (PPL)
7171 Records (PPL)
72 Records (PPL)
720 Degrees Music Ltd (PPL)
750CC Records (PPL)
77 Records (PPL)
777 (PPL)
7HZ Recordings (PPL)
7th Sense (Toco)
8 Records (PPL)
820 Music (PPL)
88 Records (Toupee)
8 Sided Dice Recordings (PPL)
888 (PPL)
9 Dot (PPL)
90 DB Productions (PPL)
95 North (PPL)
98 Pounder Records (Steve Poltz)(Shock Entertainment)
989breaks (PPL)
989chill (PPL)
989club (PPL)
989records (PPL)
99 Degrees (PPL)
99 North (PPL)
99 Times Out of 10 Records (PPL)
99/X10 (PPL)
9lies Music (PPL)
9lies Music Ireland (PPL)
9lies UK (PPL)
A-F Records (Shock Entertainment)
A & A (PPL)
A & R World (PPL)
A & S Records (PPL)
A C Pilmer Automatic Music (PPL)
A Flavour of the Label (EMI)
A Hole In The Sky (Fuse Music Group P/L)
A India E Aqui (EMI)
A Little Something (PPL)
A Lovely Coincidence (PPL)
A Massive Label (PPL)
A Records (EMI)
A Records/EMI (EMI)
A Recordings (PPL)
A Side (PPL)
A State Of Trance (Armada Music)
A State Of Trance Limited/White (Armada Music)
A Touch of Magic (PPL)
A Treasury of Golden Hits (PPL)
A Voz Do Dono (EMI)
A Wilhelm Scream (Shock Entertainment)
A Wolf at Your Door Records (PPL)
A Worldwide Ultimatum (PPL)
A&E Records Limited (Warner)
A&G (PPL)
A&M (Universal)
A&S Productions (Onehill Records B.V.)
A.D.M.International (PPL)
A.I.C. (PPL)
A.M.P.L Entertainment (PPL)
A.P.L. (PPL)
A.R.B. (PPL)
A.R.M. (PPL)
A.U.X. (PPL)
A2Z Records (PPL)
A3 (PPL)
A5 Music Ltd (PPL)
A590 Records (PPL)
A9 (PPL)
AA (PPL)
AADS (PPL)
Aarght (Fuse Music Group P/L)
Aaron Brian Bolton (Bolton, Aaron)
Aaron Norton (PPL)
AAZ Records (PPL)
AB Fable (PPL)
Abaco Records (PPL)
Abbey Road (EMI)
Abbey Road Live (EMI)
Abbey/SCS Music (PPL)
Abbott (PPL)
ABC (Universal)
ABC Atmospheres (Australian Broadcasting Corporation)
ABC Classics (Australian Broadcasting Corporation)
ABC Country (Australain Broadcasting Corporation)
ABC for Babies (Australian Broadcasting Corporation)
ABC for Kids (Australian Broadcasting Corporation)
ABC Jazz (Austalian Broadcasting Corporation)
ABC Kids (Australian Broadcasting Corporation)
ABC Music (Australian Broadcasting Corporation)
ABC Music (EMI)
ABC Records (PPL)
ABC Roots (Australian Broadcasting Corporation)
ABC World (Australian Broadcasting Corporation)
ABC3 (Australian Boradcasting Corporation)
Abcds (PPL)
Abengg (PPL)
Abdornal (PPL)
Ability Records Ltd (PPL)
Abiogenesis (PPL)
Abkco/London (PPL)
ABM (PPL)
Absolute (EMI)
Absolute (PPL)
Absolute Ambient.Com (PPL)
Absolute International (PPL)
Absolute Marketing UK (PPL)
Absolute Records (PPL)
Absolute Recordings (PPL)
Absolute Zero (PPL)
Absolution (PPL)
Abstract Dance (PPL)
Abstract Records (PPL)
Abstract Sounds (PPL)
Abstrax Records (PPL)
Abstract Urban (PPL)
Abubilla Records (PPL)
AC Eastwood (PPL)
Acacia Records (PPL)
Academy (PPL)
Academy Records (PPL)
Academy Street Recordings (PPL)
Acalwan (PPL)
Accelerating Change (PPL)
Accent (PPL)
Access (PPL)
Access Music (Wallis, John)
Access Tonal Communications (PPL)
Accolade Records (PPL)
Accordion Bernadette (Glencoe)
Accords Croises (PPL)
Accurate Records (Hot)
Accurist (PPL)
Ace (PPL)
Ace Eyed Records (PPL)
Ace Ltd Edition (PPL)
Ace Music (PPL)
Ace Recordings (PPL)
Ace Records (Fuse Music Group P/L)
Ace/Arhoolie (PFX CDCHD Only)(PPL)
Ace/Class (PPL)
Ace/Classic Artist (PPL)
Ace/Dig (PPL)
Ace/Fraternity (PPL)
Ace/Galaxy (PPL)
Ace/Indigo (PPL)
Ace/Lanor (PPL)
Ace/Lifesong (PPL)
Ace/Old Town (PPL)
Ace/Ram (PPL)
Ace/Speciality (PPL)
Ace/Swallow (PPL)
Acetate Ltd (PPL)
Acer Records (PPL)
Acid Fever (PPL)
Acid Fluff (PPL)
Acid Jazz (PPL)
Acid Lounge Records (PPL)
ACL (PPL)
A-Class (PPL)
ACM (PPL)
Acme Records (PPL)
Acony Records (Gillian Welch)(Shock Entertainment)
Acorn Records (PPL)
Acony Records (Shock Entertainment)
Acossi Records (PPL)
Acoustic Music Records (PPL)
Acoustic Suede (Acoustic Suede)
Acoustica (PPL)
Acoustics (PPL)
Acoustyistics (PPL)
ACP Recordings (PPL)
Acrobat (UK)(Hot)
ACS Films & Video & DVD (PPL)
ACS Recordings (PPL)
Act Music (Majellan Investments)
Actaeon Films (PPL)
Actaeon Films Ltd (PPL)
Actidisc (EMI)
Action Front Records (Sony Music Ent)
Action Stripe Records (PPL)
Action Strip Records (Arbuah, Lekiddo) (Video Only)
Activ Records (PPL)
Activesoundz (PPL)
Ad Music (PPL)
Ad82 Productions Limited (PPL)
ADA Global (PPL)
AD Recordings (PPL)
AD Recordings Limited (PPL)
Adagio (PPL)
Adam Fiorello (Fiorello, Adam)
Adam Harvey (Adam Harvey Management Services P/L)
Adam Sweeney (PPL)
Adam Tuffrey (PPL)
Adaptor Recordings (PPL)
Adasam (PPL)
Additive (EMI)
Adelphoi (Records) Limited (PPL)
A-Dept (PPL)
Adhesive (PPL)
Adm (PPL)
Admirality Wireless (PPL)
Admission to Music (PPL)
Adoradores De La Cumbia (EMI)
Adorno Records (PPL)
Adrian Deutsch (Deutsch, Adrian)
Adrian Follington (Follington, Adrian)
Adrian Frisina (Frisina, Adrian)
Adrian Kitchen (PPL)
Adrian Recordings/Hybris (Famlijen) (Shock Entertainment)
Advanced Recordings (PPL)
Advanced Records (PPL)
Advanced Reggae Music (PPL)
AE2 Music Ltd (PPL)
AEI Music (PPL)
AEON (PPL)
Aeon Songs (Aeon Songs)
Aeriae (Clarke, Wade)
Aerial Records (PPL)
A-F Records (Shock Entertainment)
Affaire De Coeur Music Limited (PPL)
Affected Records (PPL)
Affinity Recordings (PPL)
Affint (PPL)
Afion Records (PPL)
AFM (PPL)
AFO (PPL)
Afri (PPL)
Africagram (PPL)
African Dope Publishing (PPL)
African Dope Recordings (PPL)
African Party (EMI)
African Treasure (PPL)
Afro Art (PPL)
Afro Boogie (PPL)
Afro Gigolo Records (PPL)
Afro Project (PPL)
Afro Records (PPL)
Afro Reggae Records (PPL)
Afro Sound (PPL)
Afroboogie Recordings (PPL)
Afrolution Records (PPL)
Ark Recordings Ltd (PPL)
After Dark (PPL)
After Effectz Records (Effectz Recording)
After Party (EMI)
Afterburn Records (PPL)
Aftermath Records (Universal)
Afterschool Publishing (After School Publishing)
Against The Grain (PPL)
Age One Records (PPL)
Agenda Records (PPL)
Aggressive Records (PPL)
Aggro (PPL)
Aggrovaters (PPL)
Agincourt Music (PPL)
Agora (PPL)
AGR Television Records (AGR)
Ah Um (PPL)
Ahem Records (PPL)
Ahor (EMI)
Aiden Varro (Varro, Aiden)
Aim 2 Pleez (PPL)
Aim High (PPL)
AIP (EMI)
Air 164 (PPL)
Air Movement Records (PPL)
Air Music and Media Sales Ltd (PPL)
Air Recordings (PPL)
Airom Bleicher (Bleicher, Airom)
Airplay Records (PPL)
Airspiel Records (PPL)
Airtight (PPL)
Airvent Media Ltd (PPL)
AITP Records (The On Fires)
AJ Steel (The Monkey Face)
Ajamu Records Ltd (PPL)
Ajang (PPL)
AJS (PPL)
AJS Music (PPL)
AK (PPL)
Akademia Recordings (PPL)
Akara Music (PPL)
Akimbo Records (Akimbo Records)
Akirathedon (PPL)
Akoustic Odyssey (Akoustic Odyssey)
Akoustik Anarkhy (PPL)
Akoustik Anarkhy Recordings (PPL)
Akrasia (PPL)
Aktiv Records (PPL)
Akun Tehdastuotanto (EMI)
Al Freeman Records (PPL)
Aladdin Ayesh Records (PPL)
Aladdin Records (EMI)
Alam El Phan (EMI)
Alamo (PPL)
Alamo Music Ltd (PPL)
Alan Stewart (PPL)
Alana Bruce (Bruce, Alana)
Alapomeji Records (PPL)
Alba (PPL)
Albany Records (PPL)
Albatross (PPL)
Albert Productions (Sony Music Ent.)
Albion Records (PPL)
Albinus Records (PPL)
Alces Alces Records (EMI)
Aleks Syntek (EMI)
Alex Body (PPL)
Alex Brody (PPL)
Alex Dingley Records (PPL)
Alex Harper (PPL)
Alex Lloyd (EMI)
Alex Newman (PPL)
Alex Tronic Records (PPL)
Alexander B Records (PPL)
Alexis Ffrench Music (PPL)
Aleyce Simmonds (spec. tracks) Simmonds, Aleyce
Alfa Recordings (PPL)
Alfonse Productions (PPL)
Alia Vox (Fuse Music Group P/L)
Alia VOX (PPL)
Alias Entertainment (PPL)
Alias Records (PPL)
Alicorn Records (PPL)
Alien Recordings (PPL)
Alien-Piers Organisation (PPL)
Alistair Bell (Bell, Alistair)
Alive Music Records (PPL)
Alive Production Recordings Ltd (PPL)
Alkamist (PPL)
All Aboard Records (PPL)
All about Music (PPL)
All around the World (PPL)
All City (PPL)
All Colours Arts (PPL)
All Killer Music (All Killer Music)
All Made Up Records (PPL)
All Music Records Ltd (PPL)
All Night North (PPL)
All Saints Records (PPL)
All Seeing Eye (PPL)
All Together Now (EMI)
All Tomorrows Parties (The Drones)(Shock Entertainment)
Alladin (PPL)
Alle 13 Dope (EMI)
Allegro Films (Select)
Allegro Records (Unidisc)
Alleluia Music (PPL)
Allez Les Petits (EMI)
Alliance (PPL)
Alliance Records (PPL)
Alliance Records Inc (PPL)
Alliance Records Inc Ltd (PPL)
Alliance Records Incorporation (PPL)
Allied Recording Artists (PPL)
Alligator (PPL)
Allmusic (PPL)
Allstars Records (Allen, Ian B)
Almanac Records (PPL)
Almaria (Almaria Pty Ltd)
Almighty Records (PPL)
Almost (Complete) Records (PPL)
Aloha Records (Aloha Management)
Aloi Records (PPL)
Alopecia Records (PPL)
Alpha & Omega (PPL)
Alpha (France)(Fuse Music Group P/L)
Alpha (PPL)
Alpha / Fonotil (Colossal)
Alpha Zone Disco Music (PPL)
Al-Pha-X Recordings (PPL)
Altarus Records (PPL)
Alter Ego Promotions (Alter Ego)
Alter EGO Records (PPL)
Altered Ego (PPL)
Altered Vibes (PPL)
Altermego (PPL)
Alternation Records (EMI)
Alternative Blueprint (PPL)
Alternative Route (PPL)
Alternative Tentacles Records (PPL)
Alexander nettelbeck Music (Alexander Nettelbeck Music)
Alto (PPL)
Alto Chemical (PPL)
Alto Entertainment & Media LLP (PPL)
Alto Jazz (PPL)
Altus Records Ltd (PPL)
Aluna Record Company (PPL)
Always (PPL)
Alwayz Recording (PPL)
Amabala Records (PPL)
Amabile (PPL)
Amadis (Select)
Amalgama Star (EMI)
Amalglam Recordings (PPL)
Amalie Records (PPL)
Aman (PPL)
Amanda Thomas (Thomas, Amanda)
Amato International (PPL)
Amazing Feet (PPL)
Amazing Productions (PPL)
Amazon Records (PPL)
Amber (Metcalfe)(PPL)
Amber Lawrence (Lawrence, Amber)
Amber Records (Amber Records)
Ambience Sounds (PPL)
Ambient Sound (PPL)
Ambiguous Sounds (PPL)
Ambition Entertainment (EMI)
Ambition Special Projects (Ambition Entertainment)
Ambronay (PPL)
Ambush Ltd (PPL)
Ambushuk Records (PPL)
Ambush Reality (Enter Shakari)(Liberation)
Amelia Ellis (PPL)
AmercandJ (EMI)
American Blues Classics (PPL)
American Glasgow (PPL)
American Jazz Classics (PPL)
American King Music (EMI)
American Music (PPL)
American Music Connection (PPL)
American Originals Recordings (PPL)
American Recordings (Sony Music Ent.)
American Sky (PPL)
Amethyst Music (PPL)
AMG Records (PPL)
AMI Records (PPL)
Ammunite (PPL)
Amoeba Records (PPL)
Amon Ra (PPL)
Amor (PPL)
Ampersonic Music (Ampersonic Music)
Amphibian (Amphibian)
Amphion (PPL)
Amphion 10 (PPL)
Ample Play Records (PPL)
Amplified Mint (PPL)
Ampwitch (PPL)
AMUK (EMI)
Amusement (PPL)
Amy Grant (AGG)(EMI)
Amy, Hannah, Sarah and Holly Findlay (Stonefield) (Shock Entertainment)
An Ocean Awaits (An Ocean Awaits)
Ana Beard (PPL)
Ana Nguyen (Nguyen, Thi Dieu Anh Ana)
Anagram (Fuse Music Group P/L)
Anagram (PPL)
Analog Baroque (PPL)
Analogue Fix (PPL)
Analogue Rock Limited (PPL)
Analysis Recordings (PPL)
Anam Music (PPL)
Ananda (PPL)
Anansi Records (PPL)
Anarchic Beats (PPL)
Anca Niculae (PPL)
Anchor Road Records (PPL)
Andermer P.L. (Andermer P.L.)
Andi Hopgood (PPL)
Andoc Songs (PPL)
Andorphine (Central Station Records)
Andrew and Maurice Records (PPL)
Andrew Gillon (Gillon, Andrew)
Andrew Harris (PPL)
Andrew Harrison (Harrison, Andrew)
Andrew James Collins (Collins, Andrew James)
Andrew Marshall (Marshall, Andrew)
Andrew Maurice (PPL)
Andrew Veivers (Veivers, Andrew)
Andrew Watkins (PPL)
Andromeda Records (PPL)
Andy Eastwood (PPL)
Andy King (PPL)
Andy Watkins (PPL)
Ang Fang Industries (Ang Fang Industries)
Ange Takats (Takats, Ange)
Angel (EMI)
Angel (UK)(PPL)
Angel Air (PPL)
Angel Atom Records (PPL)
Angel Music Plus (PPL)
Angel Records (EMI)
Angel Records (UK) (EMI)
Angel Records (USA)(EMI)
Angel Reef Audio Recordings (PPL)
Angel Wars (WAR)(EMI)
Angel Works (PPL)
Angelfish Records (PPL)
AngelGirl Music (Crestani, Nattasha)
Angelic Sounds (PPL)
Angelik (Angelik)
Angelmoon Records Ltd (PPL)
Angie Palmer (PPL)
Anglican Music (PPL)
Anglo Pacific Records (PPL)
Angora Steel (PPL)
Angry Productions (PPL)
Angryculture (PPL)
Angrynote.com (PPL)
Angus & Julia Stone (EMI)
Anhrefn Records (PPL)
Anihilator Records (PPL)
Anima (PPL)
Anima Songs (PPL)
Animal (PPL)
Animal Lan guage (PPL)
Animal Noise (PPL)
Animalized Records (PPL)
Animate (PPL)
Animato (EMI)
Anime (PPL)
Animus Records (PPL)
Anita Spring (Hardy, Anita)
Anjuna Beats (PPL)
Anjunabeats (PPL)
Anjunadeep (PPL)
Ankst (PPL)
Ankst/Acen (PPL)
Ankst/GZM (PPL)
Ankstmusik (PPL)
Anna Taylor (PPL)
Anne Piper (Piper, Anne)
Annette Servadei (PPL)
Annie McKinnon (McKinnon, Annie)
Annie Records (PPL)
Anonymous Tip (PPL)
Another Planet Music (PPL)
Another Key Records (PPL)
Anousha Victoire (Victoire, Anousha)
Ant Acid Audio (Shock Entertainment)
Ant Hill Records Ltd (PPL)
Antar (PPL)
Anthem Entertainment (Spinnerette) (Shock Entertainment)
Anthem Media (PPL)
Anthem Records (PPL)
Anthem Records Ltd (PPL)
Anthony Pell (Pell, Anthony)
Anthony Snape (Snape, Anthony)
Anti Product Music (PPL)
Anti Static (PPL)
Anticon (PPL)
Anticulture Records Ltd (PPL)
Antidote (PPL)
Antique Beat (PPL)
Antler Subway (EMI)
Antony Zamk (Zmak, Antony)
Antti Sarpila Records (PPL)
Anvil Enterprises (Liberation Music)
Anvil Lane Records (Anvil Lane)
Anvil Recording Co Ltd (PPL)
Anvil Records (Anvil Records)
Anvil Records (Shutterspeed)(Right Now)
Anxious Records Limited (Warner)
Anytime (PPL)
AOF (PPL)
AOL (Warner)
Aozora Record (EMI)
AP Music (PPL)
AP Productions (PPL)
APA (PPL)
Apace Music (PPL)
Ape Music (PPL)
Ape Recordings (PPL)
Apertif Records (Apertif Records)
Aperture Records Ltd (PPL)
Aphrodisiax Productions (PPL)
Aphrodite Recordings (PPL)
API (PPL)
APMD (Art Phillips Music Design)
Apocalypse (PPL)
Apollo Flash Records (PPL)
Apollo Recordings (PPL)
Apollo Sound/Etc (PPL)
Apollocom (EMI)
Applause (PPL)
Apparel Music (PPL)
Apple (EMI)
Apple (PPL)
Apple Audio (PPL)
Apple Records (EMI)
Appledore Music (PPL)
APR (PPL)
Apropos (PPL)
Apsis Records (PPL)
Aqua (PPL)
Aqua Ltd (PPL)
Aqualoop (Central Station Records)
Aquarius (Prefix:aq,AQL) (PPL)
Aquarius Records (Unidisc)
Aquellos Maravillosos 50 (EMI)
Aqui Vinyl (PPL)
Ar Log (PPL)
Ar Records (PPL)
Ara (PPL)
Aramac (PPL)
Aran (PPL)
Aran Records (PPL)
Araucaria (PPL)
Arbanlay Limited (PPL)
Arbitors (PPL)
Arbors Jazz (PPL)
Arbors Records (PPL)
Arc (PPL)
Arc Music (PPL)
Arc Records (Unidisc)
Arcade Fire Music Ltd (PPL)
Arcade Pony (PPL)
Arch Hill Recordings (Hot)
Archipel (PPL)
Archiphon (PPL)
Architecture (Bit By Bats, Death Cab for Cutie, Spod)(Shock Entertainment)
Architecture Label (Architecture Label)
Arclite Records (PPL)
Arctic Music (PPL)
Arctic Records (PPL)
Ardec (PPL)
Ardent Records (EMI)
Arden Hill Farm (PPL)
Area38 (PPL)
A-Records (PPL)
Areito (PPL)
Arena (PPL)
Arena Music (PPL)
Argus (PPL)
Arhoolie Records (Hot)
Ariola (Local) (Sony Music Ent.)
Ariola Germany (Sony Music Ent.)
Arion Records LLP (PPL)
Arishma (PPL)
Arista Nashville (Sony Music Ent.)
Arista UK (Sony Music Ent)
Arista USA (Sony Music Ent)
Arista/Legacy (Sony Music Ent)
Arival Records (PPL)
Ark (PPL)
Ark 21 (Hot)
Ark Music (AJO Services)
Ark Records (PPL)
Arka Sound (PPL)
Arkadia Productions Ltd (PPL)
Arkham House (PPL)
Arktik (PPL)
Arm Records (PPL)
Armada (Armada Music)
Armchair Circus Music (Armchair Circus)
Armed Records (X-Mix)(PPL)
Armellodie Records (PPL)
Armind (Armada Music)
Army Of DJs (Powderworks Records)
Aropa Records (Armada Music)
Armshouse Records (PPL)
Arpad Kollanyi (PPL)
Arpreggio (PPL)
Arrebato (EMI)
Arrival (PPL)
Arriverderci Baby (PPL)
Arrounders (PPL)
ARS Entertainment (Toco)
Ars Musici (PPL)
ARS Productions (Toco)
Arse Deco Records (PPL)
Art & Artist (PPL)
Art (PPL)
Art Brut (Shock Entertainment)
Art For Amnesty (PPL)
Art In Trance (Creation In Trance)
Art Is (PPL)
Art Of Pop (PPL)
Art Vs Science (Art Vs Science Pty Ltd)
Art Yard (PPL)
Art Yard Records (PPL)
Artefact (PPL)
Artform (PPL)
Artful Records (PPL)
Arthaus (Select)
Arthoused Ltd (PPL)
Artic Records (PPL)
Artifact Records (PPL)
Artisan Recordings (PPL)
Artison Records (PPL)
Artist Direct (PPL)
Artist Direct (Shock Entertainment)
Artist First (Jerry Lee Lewis)(Shock Entertainment)
Artist Record Company (PPL)
Artistic (PPL)
Artistik Records (PPL)
Artistocrat P/L (Artistocrat)
Artlos (PPL)
Arts & Crafts (Shock Entertainment)
Artscope Music (Artscope Music)
Artsendproductions (Allan, Jane)
Arvato (Warner)
AS Productions (PPL)
ASC World Music (AURA)
Ascendancy (PPL)
Ascension Music (PPL)
Ash International (PPL)
Asharic Records (Asharic Records)
Ashe (PPL)
Ashika (PPL)
Ashquad (PPL)
Asian Dawn Recordings (PPL)
Ask Records (PPL)
Askai Records (PPL)
ASM (PPL)
Aspen Woods (PPL)
Asphalt (PPL)
Asphodel (Hot)
Aspidistra (PPL)
Aspidistra Records (PPL)
Aspiration (PPL)
Assart Records (PPL)
Assembley Records (PPL)
Associate Music (PPL)
Association Of Indepdent (PPL)
Associatedminds (PPL)
Assorted Records (PPL)
Astound Records (Astound Records)
Astra Records Ltd (PPL)
Astral Music Ltd (PPL)
Astral Recordings (PPL)
Astralwerks (EMI)
Astralwerks Forgign Catalog (EMI)
Astralwerks Records (EMI)
Asterix Music (Ministry Of Sound)
ASV Classical (EMI)
Asylum Music Ltd (PPL)
Asylum Records (Warner)
Asymmetric Productions (PPL)
At Large (EMI)
At Large Recordings (EMI)
At Records (PPL)
At Sea Records (PPL)
Atal (PPL)
Atendisk Recordings (Akhenaten Music)
Athene – Minerva (PPL)
Athene (PPL)
Atic (PPL)
Atic Records (PPL)
Atjazz Record Company (PPL)
Atlantic / Acto (Warner)
Atlantic Classics (Warner)
Atlantic Jazz (Warner)
Atlantic Jaxx Recordings (PPL)
Atlantic Nashville (Warner)
Atlantic Records (Patrick Hagennar) (PPL)
Atlantic Records (Warner)
Atlasonic Records (PPL)
ATM Records (PPL)
ATO (Ben Kweller, Patty Griffin, Liz Phair, Gomez, North Mississippi All-
Stars)(Shock Entertainment)
ATO c/o Cal Financial Group (Drive By Truckers) (Shock Entertainment)
ATO Records (PPL)
Atomic Heart (Liberation Heart)
Atomic Recordings (PPL)
Atomic Records (PPL)
Atol (PPL)
Atom Seed (PPL)
Atomic Music (Warner)
ATP (PPL)
ATP Recordings (PPL)
Atre Vireum (PPL)
Attack Attack (PPL)
Attic (PPL)
Attic Records (Unidisc)
Attic Records (PPL)
Attitude Records (PPL)
Attitude Trax (PPL)
Attrix (PPL)
ATV Northern Productions (EMI)
Audible Sounds (Audible Sounds)
Audicord (PPL)
Audio B (PPL)
Audio Blueprint (PPL)
Audio Couture (PPL)
Audio Damage Records (PPL)
Audio Fidelity (Hot)
Audio Menace (PPL)
Audio Therapy (PPL)
Audio Zoo Recordings Ltd (PPL)
Audiobulb Records (PPL)
Audiodamgage Records (PPL)
Audiofile Records (PPL)
Audiomasters (V & H Holdings)
Audiomatic Recordings (PPL)
Audionest (EMI)
Audiophile (PPL)
Audiophile Series (PPL)
Audioporn (PPL)
Audiorec (PPL)
Audiorec Bronze (PPL)
Audiorec Classics (PPL)
Audiorec Primium (PPL)
Audiorec Silver (PPL)
Audioslam (Pitcher, Brian & Wallace, Brad)
Audiowarefare (PPL)
Audioworks (PPL)
Audobulb Records (PPL)
August Way (August Way)
Aund (PPL)
Aunthill Records (PPL)
Aural Ecstasy Records (Michael Cardy)
AURArecords (AURArecords)
Australian Crawl Enterprises (Australian Crawl Enterprises)
Aus Records (PPL)
Authentic (PPL)
Authentic Media (PPL)
Authentic Music (PPL)
Autobus (PPL)
Automater Records (PPL)
Automatic Records Ltd (PPL)
Automatique (EMI)
Autonomy (EMI)
Autospace Records (PPL)
Auto-Retrato (EMI)
Autumn / Vault (Warner)
Autumn Harvest (PPL)
AUX (PPL)
AUX Technology (PPL)
Auxillary (Murray, Pete)
AV International (PPL)
AV Records (PPL)
Ava Blue (Armada Music)
Ava Recordings (Armada Music)
Avalanche Music Hut (PPL)
Avant Garde (New York)(Move)
Avanti Classic (PPL)
Avanti Jazz (PPL)
Avatar & The Eternal (Meeson, Catherine)
Ave Dat (PPL)
Aveca Records (PPL)
Avenger Penguin Music (PPL)
Avenue (EMI)
Avenue Road Limited (Avenue Road Limited)
Average Bear (PPL)
Avex (PPL)
Avex UK Ltd (PPL)
Avex/Six6 (PPL)
Avian Music (Salisbury, David)
Avid (Video)(PPL)
Avid Records (PPL)
Avie (PPL)
Avie (Select)
Avie Records (PPL)
Avlos (EMI)
AVM Classic Library (PPL)
AVM Classics (PPL)
AVM Metalworks (PPL)
AVM Powerhouse (PPL)
AVM Records (PPL)
AVM Sound Of Belgium (PPL)
AVN Music (Salisbury, David)
Avoca Drive (Avoca Drive)
Avocado Records (EMI)
Avocado Records (PPL)
Avon (PPL)
Awake Sounds (EMI)
Awaken (PPL)
AWB Classics Ltd (PPL)
A-Wave (PPL)
A-Wave Records (PPL)
A-Wave.Com Ltd (PPL)
Awen (PPL)
Awesome Records (PPL)
Awie Entertainment SDN BHD (EMI)\
Awkward Movements (PPL)
Axis (EMI)
Axis Records (EMI)
Axtone Records (PPL)
Axum Records (PPL)
Ayanapa (PPL)
Ayetunes (PPL)
Ayngaren International (PPL)
Ayngaren Music (PPL)
AYO Music (PPL)
AYS (PPL)
AYS Hagseed (PPL)
A-Z Pavement Records (PPL)
AZ Records (PPL)
A-Z Records (PPL)
Azdronomical (PPL)
Aztec Records Ltd (PPL)
Aztec Storm (PPL)
Azuli Records (PPL)
Azure Image (Azure Image)
Azure Records (PPL)
Azurre Music (PPL)
Azurre Records (PPL)
Azzure (PPL)
B & B Music Ltd (PPL)
B & H Music (PPL)
B & H Sforza (PPL)
B & L (PPL)
B and H Sound Services (PPL)
B and H Sound Services Ltd (PPL)
B Discs (PPL)
B Freak (PPL)
B Hedgehog (PPL)
B Unique Records (PPL)
B Y Music Limited (PPL)
B.C.M. Records (PPL)
B.G. Kneller Music (PPL)
B.G.K. Music (PPL)
B.P. Records (Parlane, Brent Richmond)
B.Rocket (PPL)
B.U.G.S. Records (PPL)
B’Nai Brith Music Festival (PPL)
B’Nai Brith Records (PPL)
B9 Records (PPL)
BA Emerald (PPL)
Baad! Records (PPL)
Baby Mother (PPL)
Baby Records (PPL)
Babyangel Records (PPL)
Bac Pay Records (PPL)
Bacci Bros (PPL)
Bacci Bros Records (PPL)
Back Door (PPL)
Back In the Day Records (PPL)
Back Pocket Records (Namesoft Computer)
Back Porch (EMI)
Back Porch Records (EMI)
Backporch (EMI)
Back Yard Recordings (PPL)
Backbone (PPL)
Backing Music Records (PPL)
Backlane Records (PPL)
Backshift Music (PPL)
Backshore Productions (PPL)
Backtrack (Backtrack)
Backwater Records (PPL)
Bad Ass Records (PPL)
Bad Cop Bad Cop (Holstein, Justin Richard)
Bad Fish Records (PPL)
Bad Hand Records (PPL)
Bad Life (PPL)
Bad Moon Records (PPL)
Bad Mother Records (PPL)
Bad Nurse Records (PPL)
Bad Sneakers Records (PPL)
Bad Taste Records (Bad Taste Records)
Bad Taste SM (PPL)
Badness Records Cheltenham Ltd (PPL)
Baf Baf Records Production (PPL)
Bag Inc (PPL)
Baggy Trouser Music Ltd (PPL)
Bahool Records (Storm Front)
Bai Dai (EMI)
Bakehaus Records (BamBam Muzik)
Bakermoon Records (PPL)
Baker Music (PPL)
Baker Street Recordings (PPL)
Balaerna Records (PPL)
Ballermann Hits (EMI)
Ballroom 2000 (PPL)
Baltimore Music Ltd (PPL)
Bam Caruso (PPL)
BamBam Muzik (BamBam Muzik)
Bamboo Recordings (Vicious)
Bamboo Records (Xelon Entertainment)
Bambou Music (PPL)
Banana (PPL)
Banana Boat Records Limited (PPL)
Band Boy (PPL)
Band Control Records (PPL)
Band From County Hell (PPL)
Band Of Gold Records (Majorbox Music)
Band of Joy (PPL)
Bandit Music (PPL)
Bandit Records (EMI)
Bandleader (PPL)
Bandleader Brass (PPL)
Bandleader Military (PPL)
Bandleader Mobile (PPL)
Bandleader Recordings (PPL)
Bandmerch (EMI)
Bandroom Records (Onelove Music)
Bandung (Armada Music)
Bang (Fuse Music Group P/L)
Bang EFH (PPL)
Bang Gang 12 Inches (Bang Gang 12 Inches)
Bang on Records (PPL)
Banjax (PPL)
Banned Records (PPL)
Banquet Records (PPL)
Banshee Records (PPL)
Banshee Worx BVBA (PPL)
Banter Music (PPL)
Bapsi Records (PPL)
Bar De Lune (PPL)
Bar De Soleil (PPL)
Barak (PPL)
Barbican Classics (PPL)
Barclay (Universal)
Barcode Recordings (PPL)
Bare Wires (PPL)
Barely Breaking Even (PPL)
Bargrooves (PPL)
Bark Records (PPL)
Barley Corn Records (PPL)
Barnes Consultants (PPL)
Baroque Records (PPL)
Baroque Records Ltd (PPL)
Baroquerecords (PPL)
Barrelorgan (PPL)
Barry Charles (Charles, Barry)
Barry Collings Entertainments (PPL)
Barry Gordon Kneller Music (PPL)
Barry Records (Unidisc)
Barry U Records (PPL)
Barsuk Records (Shock Entertainment)
Barton Productions (PPL)
Baseline Monsters (PPL)
Baseline Records (PPL)
Basement 282 (PPL)
Basement Birds (Basement Birds)
Basement Digs (Creative Vibes)
Basepoint Media (Warner)
Baseroom Records (PPL)
Basick Records (PPL)
Basin Records (Basin Records)
Basin Street (Hot)
Basista (PPL)
Bass (PPL)
Bass Box (EMI)
Bass Clef Records (PPL)
Bass Generator Records (PPL)
Bass Industry Records (Bass Industry)
Bass Punkz (Xelon Entertainment)
Basslayerz (PPL)
Bassman Gerry (PPL)
Basta (PPL)
Bastard Jazz (PPL)
Bat Head Records (PPL)
Battle Music Records (PPL)
Battle Trax (PPL)
Battleco Ltd (PPL)
Bauhaus Records LLP (PPL)
Bay Cities (PPL)
Bay City Recordings (PPL)
Bay Records (PPL)
Baycourt Limited (PPL)
Baza Lebel (EMI)
BB Recording Company (PPL)
BB Records (PPL)
BBC (PPL)
BBC Music (PPL)
BBC Radio Classics (PPL)
BBC Worldwide Music (PPL)
BBE (Fuse Music Group P/L)
BD Musical Works (PPL)
BDI Records (PPL)
BDR (PPL)
Be Assured (PPL)
Beady Eye Records (Liberation Music)
Beach Hut Records Ltd (PPL)
Beachcomber Music (PPL)
Beacon Music (PPL)
Beady Eye Records (PPL)
Beamish Records (PPL)
Beanie (PPL)
Bear Family (PPL)
Bear Necessities (PPL)
Bear Tracks Records (PPL)
Bearsville (Warner)
Beartramka (PPL)
Beast Records (Unidisc)
Beastie Records (PPL)
Beat Cf Productions (PPL)
Beat Crazy (PPL)
Beat Fruit (PPL)
Beat Industries (PPL)
Beat Jockey Recordings (PPL)
Beat No Beat (Fuse Music Group P/L)
Beat Rude Records (PPL)
Beatbarn Productions Limited (PPL)
Beatcircle (PPL)
Beatclub Recordings (PPL)
Beaten Track (Breese, Rob)
Beatgeek Records (Beatport only )(Xelon Entertainment)
Beatitudes CBS (Beatitudes CBS)
Beatles (EMI)
Beatmakers Anonymous (PPL)
Beatroot Music (PPL)
Beats (PPL)
Beats & Pieces Records (PPL)
Beats Galore (PPL)
Beatville (PPL)
Beau-Jolly (PPL)
Beaumex (PPL)
Beautiful (PPL)
Beautiful Jo (PPL)
Beautiful Noise (PPL)
Beautiful Records (PPL)
Beautiful Town Records (PPL)
Be-Bop & Fresh (PPL)
BEC Recordings (EMI)
Bec Recordings (PPL)
BEC Records (EMI)
Bec Willis (Shock Entertainment)
Becky Frith Music (PPL)
Bedlam Records (Bedlam Records)
Bedrock Records (PPL)
Bedroom Emperor Records (PPL)
Bedspring Music (PPL)
Bee Sting Records (Robertson, Melissa)
Beechwood (PPL)
Beechwood Records (PPL)
Beehive Recordings (PPL)
Beehive Records (PPL)
Beeswax Records (PPL)
Beeswing (PPL)
Beetroot Music (PPL)
Before (PPL)
Before Gronland (EMI)
Beggars (PPL)
Beggars Banquet (Remote Control)
Beggars Orchestra (Beggars Orchestra)
Beggars UK Limited (EMI)
Bel Air (PPL)
Bel Canto Society (PPL)
BelAir (Select)
Belart (Universal)
Believe (PPL)
Bella Hardy (PPL)
Bella Italia (EMI)
Bella Union (PPL)
Bellbird Music (Bellbird)
Belle Epoque (EMI)
Belltree Records (PPL)
Bellusira (Bellusira)
Belmando (PPL)
Below The Surface Records (PPL)
Below Par Records (EMI)
Beltane Records (PPL)
Belua (PPL)
Ben McMaster (McMaster, Ben)
Ben Salter (Salter, Ben)
Ben Wells (Wells, Benjamin L.)
Ben Wells and the Middle Names (Wells, Benjamin L.)
Ben Wheatley (PPL)
Benbecula (PPL)
Beneath Fire And Smoke (PPL)
Beneath Music (PPL)
Benjamin Grant Mitchell (Mitchell, Benjamin Grant)
Benjamin Mathews (Mathews, Benjamin)
Benn Gunn (Benn Gunn)
Benny Woodley (Woodley, Benedict Lionel)
Bensem Records (PPL)
Benson (Sony Music Ent.)
Benson (UK)(PPL)
Bentham Recording Studio (PPL)
Berk Music (The Netherlands)(ToCo)
Berkana Music Collective (M.J. Wood Recordings)
Berkeley (PPL)
Berlin Classics (PPL)
Berlin Classics (Select)
Berlin Classics Dokument (PPL)
Berlin Classics Eterna (PPL)
Berlin Classics Palladio (PPL)
Berlin Classics Pergamon (PPL)
Berlin Classics Quadriga (PPL)
Berlin Classics Rotonda (PPL)
Berlin Philharmonic (Select)
Berserkerfox (Berserkerfox)
Berry, Michael (Michael Berry)
Beserkley (PPL)
Beshara Music (PPL)
Bespoke Music Management Ltd (PPL)
Best Beat Dance (PPL)
Best before Records (PPL)
Best Entertainment (PPL)
Best Now (EMI)
Best Of (PPL)
Best of Superstars (EMI)
Best Of the Damned (PPL)
Best Selection (EMI)
Best…Album in the World…Ever! (EMI)
Beta-Lactum Ring Records (PPL)
Better Day Records (PPL)
Better Days (PPL)
Better the Devil Records (PPL)
Beulah (PPL)
Beverly (EMI)
Beverley Hills (PPL)
Beware Fashionable Women (PPL)
Beyon Golia (PPL)
Beyond Beta (PPL)
Beyond Reality Music Ltd (PPL)
Beyond Records (PPL)
Beyond The Point Records (PPL)
BFTI Records (PPL)
BGP (PPL)
BGP (Fuse Music Group P/L)
BHM (PPL)
BHS (PPL)
Bheja Fry Records (PPL)
Bianca (PPL)
Bianca Meier (Meier, Bianca)
Bianca Simmone (PPL)
Bich Touring Enterprises (Bich Touring Ent)
Biddulph Recordings (PPL)
Biff (PPL)
Biff Bang Pow (PPL)
Biff! Bang! Pow! Records (Right Now)
Big ‘R’ Records (PPL)
Big Bad Records (EMI)
Big Bamboo (PPL)
Big Bear Records (PPL)
Big Beat (PPL)
Big Ben (PPL)
Big Black Shiny Piano (Charlie Chan)
Big Boss Music Limited (PPL)
Big Brass (PPL)
Big Bright Beautiful Records (PPL)
Big Brother Recordings (PPL)
Big Buzz Records (PPL)
Big Cactus Records (PPL)
Big Cat Records (PPL)
Big Cheese Records (Winn, Jason)
Big Chill Records (PPL)
Big Dada (PPL)
Big Dipper (PPL)
Big Dipper Productions (PPL)
B ig Fat Christian Records (PPL)
Big Feet Records Ltd (PPL)
Big Fiasco (EMI)
Big Fish (PPL)
Big Fish Little Fish (PPL)
Big Giant (PPL)
Big Giant Music (PPL)
Big Hand Recordings (PPL)
Big Hair (PPL)
Big Idea Records (PPL)
Big Idea/Word (PPL)
Big In Ibiza (PPL)
Big League Productions (PPL)
Big Licks Digital (PPL)
Big Love (PPL)
Big Love and SMP Ltd (PPL)
Big Love Records Ltd (PPL)
Big Machine (Universal)
Big Mama Records (Warner)
Big Mo (PPL)
Big Moon (PPL)
Big Noise Recordings (PPL)
Big On Road Records (PPL)
Big One Records (PPL)
Big Print Music (PPL)
Big Print Records (PPL)
Big Recordings (PPL)
Big Red Records (PPL)
Big River (PPL)
Big Room (PPL)
Big Scary Musc (Big Scary Music)
Big Shed Music (PPL)
Big Ship (PPL)
Big Sir (PPL)
Big Sky (PPL)
Big Sky Song Ltd (PPL)
Big Stone Music Ltd (PPL)
Big Store (EMI)
Big Time (EMI)
Big Time Phonograph Rec Co. (EMI)
Big Trash Records (PPL)
Big Weekend Records (PPL)
Big World Entertainment Group (Big Love Productions)
Big Yard (PPL)
Big3 Records (EMI)
Big-GZ Writaz (PPL)
Biggroove Records (PPL)
Bill & Kathy Kettle (Kettle, Kathleen J)
Bill & Kathy Kettle (Kettle, William R)
Billy Bridge (Bridge, Billy)
Binary Finary Recordings (PPL)
Bing!Bang!Bong! (Level Two Music)
Bingo Bass (PPL)
Bingo Beats (PPL)
Binny G Productions (PPL)
Bio Music (PPL)
Bio Records (PPL)
Biondi Records (PPL)
Bionic Orgazm Productions (PPL)
Biotic (PPL)
Bird Dog Recordings (PPL)
Bird Head (EMI)
Bird Ice Records (PPL)
Bird Music (Parallell Lions) (Shock Entertainment)
Bird Records (PPL)
Birdbrain (Den Elzen, Michael)
Birdland (PPL)
Birdwing (PPL)
Birds of Steel (EMI)
Birds Of Tokyo (Birds Of Tokyo Pty Ltd)
Birds Robe Records (Bird’s Robe Collaboration Band) (Solo, Michael)
Birmingham UK Records (PPL)
Birth (PPL)
BIS (Select)
Bish Bash Records (PPL)
Bitch Lyrics Recordings (PPL)
Bitch Records (PPL)
Bitches Brew (PPL)
Bitchin (PPL)
Bite Back Recordings (BTE)(PPL)
Bitterscene Records Redlabel (PPL)
Bittersuite Records (Bittersuite)
Bius Records (PPL)
Biv 10 Records (Universal)
B iz Music (PPL)
BIYS Media Group (PPL)
BJD (PPL)
Bjuum (PPL)
BKO Productions (PPL)
Black & Blue Records (PPL)
Black & White Music (PPL)
Black (PPL)
Black ‘N’ Blues (V & H Holdings)
Black and Blue (PPL)
Black And Blue Music (PPL)
Black And White Records (Unidisc)
Black Bamboo Productions (PPL)
Black Belt Records (PPL)
Black Box (PPL)
Black Box Jazz (PPL)
Black Cat (Hole, David)
Black Cat (Shock Entertainment)
Black Country Night (PPL)
Black Devil Yard Boss (Williamson, Peter)
Black Door Records (Black Door Records)
Black Dragon Records (PPL)
Black Eagle (PPL)
Black Equinox (PPL)
Black Grape Global (PPL)
Black Grape Productions (PPL)
Black Grass Records (PPL)
Black Hole (EMI)
Black Hole Recordings (Xelon Entertainment)
Black Hole Recordings (PPL)
Black Label (PPL)
Black Lead Records (PPL)
Black Keys, The (Attack And Release, Brothers) (Shock Entertainment)
Black Magic (PPL)
Black Market Music (Black Market Music)
Black Melody (PPL)
Black Monolith Records (PPL)
Black Moon Records (PPL)
Black Mountain Records (PPL)
Black Music (EMI)
Black Noise (PPL)
Black Ocean (Universal)
Black Patch Productions (PPL)
Black Saint (PPL)
Black Scorpio (PPL)
Black Sheep Trax (Musiqware Ltd)
Black Spider (PPL)
Black Spring Ltd (PPL)
Black Story (PPL)
Black Story Records (PPL)
Black Sun Records (Unidisc)
Black Tiger Records (PPL)
Black Top (PPL)
Black Vinyl Records (PPL)
Black Yak (Black Yak)
Blackend (PPL)
Blackentertainmentvoice (PPL)
Blacker Dread (PPL)
Blackest Ever Black (PPL)
Blackground Records UK (PPL)
Blackheart (PPL)
Blacklab Records (PPL)
Blacklight (PPL)
Blackmoon (PPL)
Blackout Audio (PPL)
Blackroc (Black Keys)(Shock Entertainment)
Blackrose Projects (PPL)
Blackstory Records (PPL)
Blackwing Records (PPL)
Blackwiz (PPL)
Blague Records (PPL)
Blahh Records (PPL)
Blairhill Records (PPL)
Blak Magik Music (PPL)
Blakah Judah (PPL)
Blakjam (PPL)
Blame Music (PPL)
Blame Technology (PPL)
Blang (PPL)
Blang Records (PPL)
Blank Records (PPL)
Blank Vault Productions Pty Ltd (Blank Vault)
Blank Vault Records (Blank Vault)
Blanko Y Negro (Warner)
Blannot Ehf (PPL)
Blast (PPL)
Blast First (EMI)
Blast Records (PPL)
Blaster! (PPL)
Blatant Beats (PPL)
Blazing Strumpet Records (Project Mayhem)
Bleached Records (PPL)
Bleak House Records (PPL)
Bleanchic (PPL)
Bleeding Heart Recordings (PPL)
Bless UK Records (PPL)
Blessed Records (PPL)
Bleu Blanc Tubes (EMI)
B-Life Records (PPL)
Blind Atlas (PPL)
Blind Pig (PPL)
Blind Spot Music (PPL)
Blindman’s Holiday (Blindman’s Holiday)
Blingbro (PPL)
Blingsider Records (PPL)
Blip Vert (PPL)
Blipfonica (PPL)
Blippo Records (PPL)
Bliss (PPL)
Bliss ‘N’ Tumble (PPL)
Blissful Records (PPL)
Blisstech (PPL)
Blisstek (PPL)
Blitz (PPL)
Blix Street (Hot)
Blix Street Records (Holly’s Pack)
BLM Label (PPL)
Blockheads (PPL)
Blockheads Ltd (PPL)
Blonx Records (PPL)
Bloocoo Records (PPL)
Blood and Fire (PPL)
Blood Light Recording (PPL)
Bloodpuppies Entertainment (Bloodpuppies)
Bloodshed Unlimited (PPL)
Bloodshot (US)(Hot)
Bloody Austin (PPL)
Bloody Chamber Music (PPL)
Bloody Dog (Holden, Marcus Peter)
Blotter (Blotter Artists)
Blow It Hard (PPL)
Blow Monkey Music Ltd (PPL)
Blow Up (Kenneth J Stewart)
Blow Up UK (PPL)
Blowndrum (PPL)
BLTN Music Ltd (PPL)
Blu-Jam Records (PPL)
Blu-Jam Recordings (PPL)
Blubalu Records (PPL)
Blu Kolla (EMI)
Blue August Records (PPL)
Blue Bag (PPL)
Blue Balloon Records (PPL)
Blue Banana (PPL)
Blue Banana Music (PPL)
Blue Bandicoot (Blue Bandicoot)
Blue Beetle Records (PPL)
Blue Chip (PPL)
Blue Cliff Records (PPL)
Blue Corn Music (Ruthie Foster)(Shock Entertainment)
Blue Cow Records (PPL)
Blue Dot (PPL)
Blue Dove Records (PPL)
Blue Eye Records (EMI)
Blue Eye Records (PPL)
Blue Fish TV (PPL)
Blue Hat Records (PPL)
Blue Hoop Records (Hoop)
Blue Horizon (PPL)
Blue Iris Records (PPL)
Blue Jean (PPL)
Blue Juice (PPL)
Blue Lough Records (PPL)
Blue Moment Records (PPL)
Blue Mood Music (PPL)
Blue Moon (PPL)
Blue Motion Productions (PPL)
Blue Note (EMI)
Blue Note Catalogue (EMI)
Blue Note Club (EMI)
Blue Note Records (EMI)
Blue Ocean Records (PPL)
Blue Pie Productions (Blue Pie Productions)
Blue Planet UK (PPL)
Blue Rascal Music Production (PPL)
Blue Records (PPL)
Blue Rinse Tapes (PPL)
The Wailin’ Jennys (Shock Entertainment)
The Waxworks Music Initiative (PPL)
The Western Star Recording Co (PPL)
The Whats (Steward, Timothy John)
The White Horse (PPL)
The White Label (PPL)
The White Label Online (PPL)
The Wood for the Trees (PPL)
The Woodpickers (Murphy, John)
The World (PPL)
The Wynntown Marshals (PPL)
The Yearlings (The Yearlings)
Theatre Records (PPL)
Thelights (PPL)
Them’s Good Records (PPL)
themusicconnection (themusicconnection)
Theobald-Dickson Productions (PPL)
There’s More To Country (Australian Broadcasting Corporation)
Theredsunband (Shock Entertainment)
Thermal (PPL)
Thin ‘n’ Crispy Recordings Lim (PPL)
Thin Air Productions (PPL)
Thing (PPL)
ThingamaKid (EMI)
Things Fall Apart (PPL)
Things To Come (PPL)
Think (Fuse Music Group P/L)
Think Media Music (PPL)
Think Tank Records (PPL)
Third Eye Records (PPL)
Third Light Records (PPL)
Third Man (Fuse Music Group P/L)
Third Man (Liberation Music)
Third Venture (PPL)
Third World (PPL)
Third World Disco (PPL)
Thirstycat Records (PPL)
Thirteen (Rec) Ltd (PPL)
Thirteenth Hour Recordings (EMI)
Thirty Seven Records Ltd (PPL)
This Feeling Records (PPL)
This Final Frame (PPL)
This Is It Records (PPL)
This N That (PPL)
This Playground Records Ltd (PPL)
This Sceptic Isle (PPL)
This Side Of The Cross (This Side Of The Cross)
Thisisnotanexit (PPL)
Thistle (PPL)
Thomas Scott (PPL)
Thompson Music (Limited Catalogue)(Liberation)
Thompson Music (Thompson Music)
Thought Universe Music (PPL)
Three Bears Records (PPL)
Three Little Fish (Three Little Fish)
Three Speed (PPL)
Three8 (PPL)
Three8 Music Ltd (PPL)
Three8 Records (PPL)
Threshold Recordings LLC (Kool Keith feat. KutMasta) (Shock Entertainment)
Thrill Jockey (Fuse Music Group P/L)
Thrill Jockey (Specific Recordings Only)(Inertia)
Thrill Seekers (PPL)
Thrive (Specific Recordings Only)(Inertia)
Throttler Records (PPL)
Through The Mud Records (PPL)
Throw The Shapes (PPL)
Thru The Mill (PPL)
Thrust (PPL)
Thu Thoughts (Fuse Music Group P/L)
Thunder (PPL)
Thunderbird (PPL)
Thunderbird Records (PPL)
Thunderbolt (PPL)
Thunderclap OMP (PPL)
Thursday Club Recordings Ltd (PPL)
Tianastacia (EMI)
Tickler Records (Tickler)
Tide (PPL)
Tidelines (PPL)
Tidy Trax (PPL)
Tidy Two (PPL)
Tiffany Eckhardt (Eckhardt, Tiffany)
Tiger (Central Station Records)
Tiger Records (PPL)
Tiger Shadow Music Ltd (PPL)
Tiger Style Records (Specific Recordings Only)(Inertia)
Tiger Trax (PPL)
Tigerbay Recordings (PPL)
Tigershade Recordings (PPL)
Tigertot Records (PPL)
Tigertrap Records (PPL)
Tihuana (EMI)
Tilt (You Am I) (Shock Entertainment)
Tim Arnold (PPL)
Tim Brinkhurst (PPL)
Tim Koch (Koch, Tim)
Tim Steward (Steward, Timothy John)
Timberwolf Records (PPL)
Time & Space Records (PPL)
Time 2 Shine (PPL)
Time Bomb (Social Distortion)(Shock Entertainment)
Time Divide Records Ltd (PPL)
Time Magnatic (PPL)
Time Stood Still (PPL)
Time To Shine Records (Time To Shine)
Timekode (PPL)
Timeless Music (PPL)
Timeless Music Company (Sony Music Ent)
Timeless Music Project (PPL)
Timeless Records (PPL)
Timeline Records (PPL)
Times Tables (PPL)
Time-X (PPL)
Timothy Madden (Studio Two Twelve)
Tin Angel Records (PPL)
Tinfoil Recordings (PPL)
Tinkers Lane (PPL)
Tinkling Ivories (PPL)
Tinrib Recordings (PPL)
Tinted Records (Central Station Records)
Tiny Consumer (EMI)
Tiny Dog Records Ltd (PPL)
Tiny Sticks/M&T Inc (PPL)
Tinyclan Recordings Ltd (PPL)
Tip Top (PPL)
Tipitina’s Foundation (EMI)
Tipping Point Music (PPL)
Tips Exports (Warner)
Tiptoe (PPL)
Tiris (PPL)
Tirk Records (PPL)
Titanium Music Ltd (PPL)
Titty Twister Records (PPL)
Titus Records (PPL)
Tivoli (PPL)
TJSB (PPL)
TK Sound & Vision (PPL)
TK Sound (PPL)
TKO (PPL)
TKO Licensing Ltd (PPL)
TKO Magnum (PPL)
TKO Records (PPL)
TLC (PPL)
TLR (PPL)
TM Factory (EMI)
TM Records (PPL)
T-Mac (PPL)
TMC (Warner)
T-Minus (PPL)
TMS (PPL)
TMSA Recordings (PPL)
TMT (Tomorrow’s Music Today)(PPL)
TNSRecords (PPL)
To Make It (EMI)
Toast Hawii (EMI)
Toast Records (PPL)
TobesMusic.com (PPL)
Toby Levan (PPL)
Toby Skeates (Toby Skeates)
Toc Recordings (PPL)
Toccata Classics (PPL)
Toccata Press (PPL)
ToCo Australia (ToCo)
Todd Snider (Shock Entertainment)
Toe Music (PPL)
Toemi (EMI)
Toemiland (EMI)
Togism (EMI)
Tois (EMI)
Tojo Productions (Unidisc)
Tokamak Beach Records (PPL)
Token (PPL)
Token Productions (PPL)
Token Records (PPL)
Tom Bryce (Bryce, Thomas)
Tom Lee-Archer (Lee-Archer, Tom)
Tom Smail (PPL)
Tom Ugly (Tom Ugly)
Toma Verano (EMI)
Tomcat Music (PPL)
Tomkins Square (Fuse Music Group P/L)
Tommy Allen (PPL)
Tommy Boy Entertainment (PPL)
Tommy Boy Music Ltd (Warner)
Tommy Boy Records (Warner)
Tommy Emmanuel (EMI)
Tomorrow Records (PPL)
Ton Fari (PPL)
Tone Control Music (PPL)
Tone Freak Records (Tone Freak Records)
Tone Records (PPL)
Tone-Cool (PPL)
Tonedef Ltd (PPL)
Tonemarket Music (Tonemarket)
Tonewood Records (PPL)
Toney’s International (PPL)
Tongue And Groove Records (PPL)
Tongue Master Records (PPL)
Toni Janke (Janke, Toni)
Toni Jordan (Jordan, Toni)
Tonic (PPL)
T-Online (Warner)
Tonomatic (PPL)
Tonosound (PPL)
Tonoton Records (PPL)
Tonton Funk (EMI)
Tony Faehse (Faehse, Tony)
Tony Johns Entertainment (Tony Johns Ent)
Tony Palmer Films (Select)
Too Much Peace and Quiet (PPL)
Too Pure (Remote Control)
Toofa (PPL)
Toolroom Records (PPL)
Toolroom Trax (PPL)
Tooth & Nail (EMI)
Tooth & Nail (TNN) (EMI)
Tooth and Nail Records (EMI)
Top 6 (PPL)
Top & Bottom (PPL)
Top Banana (PPL)
Top Billing (Billing, Peter)
Top Cat Music (PPL)
Top Dance (EMI)
Top Dog (Warner)
Top Drawer Digital Ltd (PPL)
Top Hat (PPL)
Top Line Records (PPL)
Top Notch (PPL)
Top Rank (EMI)
Top Selling Records (PPL)
Top Side Records (Toco)
Top Spin Records (PPL)
Topaz (PPL)
Topic (PPL)
Tops (EMI)
Tops Records (Unidisc)
Tori Darke (Darke, Victoria Louise)
Torn & Frayed Music (Shock Entertainment)
Torque (PPL)
Torsohorse (PPL)
Tortus (PPL)
Tortus Records (PPL)
Toshiba – EMI (Japan)(EMI)
Toshiba (EMI)
Total Fitness Music Ltd (PPL)
Total Singing Power (PPL)
Total Sound (PPL)
Total Vegas (EMI)
Totally (EMI)
Totem Records (PPL)
Toubadour for the Lord (PPL)
Touch & Go (Specific Recordings Only)(Inertia)
Touch (PPL)
Touch (UK)(Fuse Music Group P/L)
Touch 33 (PPL)
Touch Down Soundz (PPL)
Touch IT Production Group (PPL)
Touch Tone (PPL)
Touchin Down Productions (PPL)
Touchin’ Bass (PPL)
Touchin’ Bass Records (PPL)
Touchwood Records Ltd (PPL)
Tough Cookie (PPL)
Tough Stuff! (LNG Music)
Toupee Records (Toupee)
Tower (EMI)
Tower Release (PPL)
Townie Productions (PPL)
Townsend Records (PPL)
Tox Records (Unidisc)
Toxxic Records (PPL)
Toyah Wilcox OMP (PPL)
Traad (PPL)
Trace Recordings (PPL)
Track 37 Recordings (PPL)
Track Records UK (PPL)
Track2r (EMI)
Tracks Productions / Panorama (PPL)
Tractor (PPL)
Tracy Lee Killeen (Killeen, Tracy Lee)
Tradition (PPL)
Traditional Crossroads (Hot)
Traed North (PPL)
Trailblazer Records (Trailblazer Records)
Trafalgar Music P/L(Radio Birdman)(Shock Entertainment)
Traffic Ent (Fuse Music Group P/L)
Traffic Signs (PPL)
Train Independent Music Production (PPL)
Trak Records UK (PPL)
Trance Essenial (Bass Industry)
Trance Nation (EMI)
Trancelicious (EMI)
Trancewarez Recordings (PPL)
Tranquility (V & H Holdings)
Tranquillo (PPL)
Trans Phatt Records (PPL)
Transacord (EMI)
Transcend Media Group (PPL)
Transcend Music (PPL)
Transcend Records (PPL)
Transcopic (EMI)
Transducer Records (PPL)
Transgressive (PPL)
Transient D.V. (PPL)
Transister Project (PPL)
Transistor (PPL)
Transistor Music (Transistor)(Aust Artsist)
Transistor Records (PPL)
Transition (EMI)
Translator Records (Translator Records)
Transmission (PPL)
Transmission Recordings (Liberation Music)
Transmitter Records (Transmitter Records)
Transparent (PPL)
Transparent Sound (PPL)
Transporter Recordings (PPL)
Trans-Q (PPL)
Transworld Records (PPL)
Tranzfusion (PPL)
Tranzlation (PPL)
Tranzlation Whites (PPL)
Trapshut Records (PPL)
Trash (PPL)
Trash and Ready (PPL)
Trash Fashion (PPL)
Trash Talk Collective LLC (Trash Talk) (Shock Entertainment)
Trauma (Universal)
Travelin’ Man (PPL)
Travelogue (PPL)
Travis Sinclair (Shock Entertainment)
Trax (UK)(PPL)
Tray (PPL)
TRC Records (PPL)
Treasure Hunte Productions (PPL)
Treasury (EMI)
Treat (PPL)
Treble (V & H Holdings)
Trees Are Good Creations (PPL)
Treinta Y Tantos (EMI)
Trementina (EMI)
Tremonisha Park (PPL)
Tremula (PPL)
Trend Recordings (PPL)
Trendkill Records (PPL)
Trevor Dawson Entertainment (Dawson, Trevor Harold)
Trevor Warren (PPL)
TRF Worldwide (PPL)
Triad (PPL)
Triad Recordings (PPL)
Trial and Error Recordings (PPL)
Triangle (PPL)
Triangle Records (PPL)
Trianon (EMI)
Tribal Jam (EMI)
Tribesman Music (PPL)
Tribute (PPL)
Tricatel (FRA)(Hot)
Trick Music (PPL)
Trickster Music (Trickster Music)
Trident – Carlos Vives (EMI)
Trident – Marisa Monte (EMI)
Trident – Ole (EMI)
Trifekta (Crayon Fields, Decemberists, Art of Fighting, Architecture in Helsinki, Sodastream)(Shock Entertainment)
Trifekta (Specific Recordings Only) (Shock Entertainment)
Trigger Happy Records (PPL)
Trigger Recordings (PPL)
Triggs (PPL)
Trillion Records (PPL)
Trilogy Records (Unidisc)
Trinity (V & H Holdings)
Trinity Music (PPL)
Trinity Record Company Ltd (PPL)
Trinkie Records (PPL)
Trio (PPL)
Trio Pandora (EMI)
Tripitaka Records (PPL)
Triple Crown/Sorepoint (PPL)
Triple Earth (PPL)
Triple Echo (PPL)
Triple Eight (PPL)
Triple Gold (PPL)
Triple M Productions (PPL)
Triple 7 Records (Triple Seven)
Tripoli Trax (PPL)
Tripomatic UK (PPL)
Triquetra Recordings (PPL)
Tri-tone Music (PPL)
Tritone (PPL)
TRO Essex Music Limited (PPL)
TRL Music (PPL)
Trojan (UK)(Fuse)
Tromolo Records (PPL)
Tronicsole (PPL)
Tropicana Tunes (PPL)
Tropicana Studios Ltd (PPL)
Troubador Records (PPL)
Trouble On Vinyl (PPL)
Trouble Records (PPL)
TRR Quality Recordings (The Resignators)
TRS (EMI)
Tru 2 Da Game Records (PPL)
Tru Thoughts (Fuse Music Group P/L)
Tru Thoughts (PPL)
Trubadour Records (PPL)
Truck (PPL)
Truckback Records (PPL)
True Blues P/L (True Blues Pty Ltd)
True Folk (PPL)
True Light (PPL)
True Light Entertainment (PPL)
True Light Records (PPL)
True Live (band)(Shock Entertainment)
True Playaz Music (PPL)
True Potential Records (PPL)
True Records (PPL)
Truelove (PPL)
Trueprinceproductions (PPL)
Truetone (Specific Recordings Only)(Inertia)
Truesounds (PPL)
Tru-Fam Records (PPL)
Trumpton Records (PPL)
Trumps (PPL)
Trunk Records (Hot)
Trust Recordings (PPL)
Trust Records (PPL)
Trustkill Records (Shock Entertainment)
Truth & Soul (Fuse Music Group P/L)
Try And Make Me (PPL)
Try Science Recordings (PPL)
Trycycle (Trycycle)
Tryfan (PPL)
Tsavellas (PPL)
T-Series (PPL)
T-Series (PPL)
TSJ Records (TSJ Records)
TT (PPL)
TTR (PPL)
Tuff Gong Worldwide (Shock Entertainment)
Tuff Street Recordings (PPL)
Tuff’N’Up Records (PPL)
Tug (PPL)
Tug Records (PPL)
Tugboat (Shock Entertainment)
Tumi (UK)(PPL)
Tumi Dance (PPL)
Tummy Touch (PPL)
Tummy Touch Moods (PPL)
Tummy Touch Records (PPL)
Tundra Recordings (PPL)
Tune Tribe Recordings (Sugar Daddy)(Shock Entertainment)
Tuneless Limited (PPL)
Tune! Recordings (PPL)
Tunhale (PPL)
Tuning Beats (EMI)
Tuparamaros (PPL)
Turbo Artists AS (Turbonegro Catatalogue)(Shock Entertainment)
Turbo Records (Liberation Music)
Turbulence Records (PPL)
Turkeyneck (Fuse Music Group P/L)
Turned On Music (PPL)
Turner Entertainment Company (Warner)
Turnhouse Records (PPL)
Turntrax (PPL)
Turpin Records (PPL)
Turtle Tracks (Turtle Tracks)
Turtledove (PPL)
TVT Records (Lil’ John & The Eastside Boys) (Shock Entertainment)
Tweed (PPL)
Twelve Dollar Monkey (Twelve Dollar Monkey)
Twelvetone (PPL)
Twenty First Artists Ltd (PPL)
Twenty Three (PPL)
Twenty-Seven Records (PPL)
TWF Records (PPL)
Twin (PPL)
Twin Arrows Music (PPL)
Twin Best (EMI)
Twin Best Now (EMI)
Twink (PPL)
Twink Of Evil (PPL)
Twist And Shout Ltd (PPL)
Twist Records (PPL)
Twisted Gypsy (PPL)
Twisted Nerve Recordings Ltd (PPL)
Twisted Records (PPL)
Twitch Records (PPL)
Two Bass Hit Recordings (PPL)
Two Bright Lakes (Remote Control P/L)
Two Push Once Bounce (PPL)
Two R (PPL)
Two Shoes Pty Ltd (Two Shoes Pty Ltd)
Two-For-One (V & H Holdings)
Twonine Records (PPL)
Twopointmine Ltd (PPL)
Twosome Records (PPL)
Ty Ar Y Graig (PPL)
Tygahoney Music (PPL)
Tyger’s Hears (PPL)
Tyger’s Heart (PPL)
Tyger’s Heart Music (PPL)
Tyger’s Heart Records (PPL)
Tygergirl Production (Tygergirl Productions)
Tyler Music Limited (PPL)
Tyme Flyte (PPL)
Typecast Records (PPL)
Typhoon Music (HK) Ltd. (EMI)
Tyree Records (PPL)
TZADIK (Fuse Music Group P/L)
TYT Records (PPL)
Tzarian Music (PPL)
U Ultralab (EMI)
U.S. Superior Records (PPL)
U+Element (EMI)
U4ria (PPL)
U5 Productions (PPL)
UB1 Music (PPL)
UCA Records London (PPL)
UCJ (Universal)
Ucuncugoz Muzik (PPL)
UD Records (PPL)
UD Whites (PPL)
Uden Pop Indent (EMI)
Udiscs (PPL)
UFO (PPL)
Ufology (PPL)
Ugly Man Records (PPL)
Ugly Nephew Records (PPL)
UGR (PPL)
UH Recordings (PPL)
Uhuru (PPL)
Ujazz Records Limited (PPL)
UK Apex (PPL)
UK Apex Music (PPL)
UK Box Office (PPL)
UK Bubblers (PPL)
UK Dance (PPL)
UK Records (PPL)
UK44 Records (PPL)
Ukeylove (PPL)
UKK (EMI)
Ulftone Music (Hot)
Ulster (PPL)
Ultimae (PPL)
Ultimae Dance Digital Ltd (PPL)
Ultimae Music Collection (PPL)
Ultimate Dilemma (Warner)
Ultimate Music Collection (PPL)
Ultimate Orange Records (PPL)
Ultimatief (EMI)
Ultra (PPL)
Ultra House (EMI)
Ultra Records (EMI)
Ultra Records (Liberation Music)
Ultra Techno (EMI)
Ultraform (PPL)
Ultra-Lounge (EMI)
Ultrapop (PPL)
Ultraxx Records (Unidisc)
Um & Ah (Chase Corporation)
Umbrella Music Ltd (PPL)
Umbrella Records (PPL)
U-Men Recordings (PPL)
UMG Soundtracks (Universal)
umHutu (Laidler, John)
Umlaut (EMI)
Umlaut Corporation (PPL)
Umm (PPL)
Un! Recordings (PPL)
Unbelievable Music UK (PPL)
Uncanny Valley (Uncanny Valley Pty Ltd)
Uncharted Audio (PPL)
Uncle Slack Productions (PPL)
Uncooked (PPL)
Uncooked Records (PPL)
Uncut (PPL)
Unda-Vybe Music (PPL)
Undeas (Warner)
Under 5’s (PPL)
Under Fire Recordings (PPL)
Under The Stairs Music (PPL)
Under the Weather Productions (PPL)
UnderbellyRecords Limited (PPL)
Undercurrent (PPL)
Underdog Records Limited (PPL)
Underdogg Entertainment Ltd (PPL)
Underdogs Management Ltd (PPL)
Underdogs Music (PPL)
Underfoot Records (Underfoot Records)
Underground (EMI)
Underground Music (PPL)
Underground Music Aust (Colossal)
Underground Trip (PPL)
Underwater (PPL)
Underwater Records Ltd (PPL)
Undiscovered (PPL)
Undo (EMI)
Undone (PPL)
Unearthed (PPL)
UNFD (We Are Unified)
Unfold (PPL)
Unfold Music (PPL)
Unheard Records (PPL)
Unicorn (PPL)
Unicorn Kanchana Souvenir (PPL)
Unicorn-Kanchana (PPL)
Unidisc Music (Unidisc)
Union Jack (PPL)
Union Pacific (PPL)
Union Square (PPL)
Union Square (Fuse Music Group P/L)
Union Square Pictures (PPL)
Union Station Productions (The Planet Company)
Unique (PPL)
Unique Corp Ltd (PPL)
Unique Frontier Records (PPL)
Unique Jazz (PPL)
Unique Gravity (PPL)
Unisex (PPL)
Unison Records (Unidisc)
Unit 5 (PPL)
Unit 7 (PPL)
Unit 7 Records (PPL)
United (PPL)
United Artists (EMI)
United Audio Entertainment (PPL)
United Dairies (PPL)
United Federation Of Planets (PPL)
United Nations Recordings (PPL)
United Recordings (Toco)
United Roots Records (PPL)
United World Artists (United World Artists)
Unity (PPL)
Unity Music (Unity Music)
Unity Recording Studio (PPL)
Unity Sounds (PPL)
Universal (Universal)
Universal Classics & Jazz (Universal)
Universal Classics (Universal)
Universal Curb (PPL)
Universal Dance (Universal)
Universal Egg (PPL)
Universal Music (PPL)
Universal Music Australia (Universal)
Universal Music New Zealand (Universal)
Univeral Republic Records (PPL)
Universal Records (Universal)
Universal Sound (PPL)
Universal South (Universal)
Universal TV (Universal)
Universe City (PPL)
Universe Media (PPL)
Uniwave Records (Unidisc)
Unknown Label (PPL)
Unkut (PPL)
Unlimited (PPL)
Unorthodox (The Church Musicians Pty Ltd)
Unparralleled Carousel (PPL)
Unstable Ape (Remote Control)
Unsung Hero Recordings (PPL)
Unsung Heros Records(PPL)
Untouchables (PPL)
Up For It Records (PPL)
Up Front (PPL)
Up North Records (PPL)
Upacci (emaar)(Xelon Entertainment)
Upbeat Classics (PPL)
Upbeat Jazz (PPL)
Upbeat Recordings (PPL)
Upbeat Showbiz (PPL)
Upfunk Creek (Solo, Michael)
Uppercut Records (PPL)
Upright Music (EMI)
Upright Records & Music (PPL)
Uprising Trance Records (PPL)
Uprok Records (EMI)
Upset (PPL)
Upside Records (PPL)
Upstairs Music (PPL)
Upstart (PPL)
Upstream Records (PPL)
Uptempo Records (PPL)
Uptown (Universal)
Uptown Crew (PPL)
Uptunes (Central Station Records)
Urban Angel Music (PPL)
Urban beat (PPL)
Urban Beauty Productions (PPL)
Urban Cow Records (PPL)
Urban Cowboy Records (PPL)
Urban Dance (PPL)
Urban Dubz Music (PPL)
Urban Dove (PPL)
Urban Entertainment (PPL)
Urban G Records (PPL)
Urban Gospel Records (PPL)
Urban Heat (PPL)
Urban Hero Records (PPL)
Urban House Traxx (PPL)
Urban Influence UK Ltd (PPL)
Urban Planning Records (PPL)
Urban Precinct (PPL)
Urban Records (Universal)
Urban Release Records (PPL)
Urban Shakedown (PPL)
Urban Syndication (PPL)
Urban Takeover (PPL)
Urban Town Evolution LLC (EMI)
Urban XL (PPL)
Urbanstar Records (PPL)
Urbantorque Recordings (PPL)
Urbcom (PPL)
Urbcom Entertainment (PPL)
Urbcom Music (PPL)
Urbcom Productions (PPL)
Urbcom Recordings ( PPL)
Urbcom Records (PPL)
Urbcom.Net (PPL)
Urlo (Warner)
USM Jr (PPL)
USM Media (PPL)
USM Media TV (PPL)
URM Records (PPL)
URP (PPL)
Ursula Burns (PPL)
US Now JV (EMI)
USA (PPL)
Usiscs (PPL)
USK Recordings (PPL)
USM (PPL)
Usurp Records (PPL)
U-Star Records (PPL)
Utaimasenka (EMI)
Uxbridge Street (PPL)
V & H Holdings (V & H Holdings)
V & H Holdings Hour (V & H Holdings)
V & H Holdings International (V & H Holdings)
V-Tone (PPL)
V.A. (PPL)
V.J. Dawson (Dawson, V.J.)
V1 Records (PPL)
V2 Records Netherlands BV (D Zappa) (Shock Entertainment)
Vacation Records (Vacation Records)
Vadoinmessico (PPL)
Vadok Records (PPL)
Vagabond (PPL)
Vagrant (Shock Entertainment)
Vagrant (Universal)
Vagrant Records Under Exclusiv (PPL)
Vaguemusic (Vaguemusic)
Vale Music (PPL)
Valentine (PPL)
Valley (PPL)
Vallium (PPL)
Valve Records (Valve Records)
Vamp Tech (PPL)
Vampisoul (Hot)
Vampisoul (Fuse Music Group P/L)
Vandit (Armada Music)
Vandit / PVD GmbH (Paul Van Dyk)(Liberation)
Vangel Recordings (PPL)
Vanguard (PPL)
Vanguard (Specific Releases)(Shock Entertainment)
Vanilla OMP (PPL)
Vanny (PPL)
Vantage Room Records (PPL)
Vapour Recordings (Vicious)
Varese Sarabande (Universal)
Variety (PPL)
Varrick (PPL)
Varup (PPL)
Vasco Production (PPL)
Vault Records (PPL)
Vavoom (PPL)
VB Records (PPL)
VC Label (EMI)
VC Recordings (also traded as Hut Records)(EMI)
VCI Recordings (EMI)
VCN Records (PPL)
Veesik Records (PPL)
Vee-Tone Records (PPL)
Vega Music (PPL)
Veintitantos (EMI)
Velcro (Xelon Entertainment)
Velcro City Records (PPL)
Velcro House (Xelon Entertainment)
Velo (PPL)
Velour (PPL)
Velvet Submarine Records (PPL)
Vena (PPL)
Vendetta Records (PPL)
Venice In Peril (EMI)
Venom Records (PPL)
Venture (EMI)
Venture Records (Unidisc)
Venus (PPL)
Venus Casino (PPL)
Venus Music & Records (PPL)
Venus Records (PPL)
Verbatim (PPL)
Verge (PPL)
Veritas (EMI)
Verite Records (PPL)
Verity (PPL)
Verjam Music (PPL)
Verjam Records (PPL)
Vernon Yard (EMI)
Verril Music (PPL)
Versatile Boom Cac Records (PPL)
Versatile Familier (PPL)
Versatile Productions (PPL)
Versatile Records (PPL)
Versatile Records (Unidisc)
Versatile Uni-Verse (PPL)
Versatile Universe Inc (PPL)
Vertical Form (PPL)
Vertical Music (PPL)
Vertical Records (PPL)
Vertical Shift Records (EMI)
Vertical Sound (PPL)
Vertigo (Universal)
Verve (Universal)
Very Unique Existence (Very Unique Existence)
Veryverywrongindeed recordings (Musiqware Ltd)
Veteran (PPL)
Veteran Tapes (PPL)
Vex (PPL)
Vexation Audio (PPL)
VF Musiques (Warner)
VF Records Ltd (PPL)
VFM (PPL)
Vibey Library (PPL)
Vibration Lab (PPL)
Vice Music Ltd (PPL)
Vice Records (Warner)
Vicious (Vicious)(Aust Indi)
Vicious Bitch (Vicious)
Vicious Black (Vicious)
Vicious Grooves (Vicious)
Vicious Music (PPL)
Vicious Urban (Vicious)
Vicksboro’ Records (PPL)
Vicky Salisbury & Friends (Salisbury, David)
Victa Records (PPL)
Victor Entertainment (Warner)
Victoria Adexa (PPL)
Victoria Aitken (PPL)
Victoria Baillie (Baillie, Victoria)(Aust Indi)
Victoria Baillie (Shock Entertainment)(Start Brand New, Stupid)
Victoria Tilson (PPL)
Victorytone (PPL)
Videorfeo (EMI)
Vigilante Music (PPL)
Viking (PPL)
Village Carols (PPL)
Village Green (PPL)
Village Green Records (PPL)
Village Thing (PPL)
Village Vert (PPL)
Vindaloo Records (PPL)
Vineyard (EMI)
Vintage Jazzband (PPL)
Vintage Recordings (PPL)
Vintage Talent (Placebo Recordings) (Shock Entertainment)
Vinyl Addiction (PPL)
Vinyl Japan (PPL)
Vinyl Junkie & Cruze (PPL)
Vinyl Junkie (PPL)
Vinyl Mania (PPL)
Vinyl Pusher (Shock Entertainment)
Vinyl Solution Records (PPL)
Vinyl Vice (PPL)
Violin MPE Dot Com (PPL)
Violent Record (EMI)
VIP Barzilian Music (PPL)
VIP Records (PPL)
Virago Records (PPL)
Viral Audigy (PPL)
Vireo (EMI)
Vireo Records (EMI)
Viridian Blue (PPL)
Virgin – Dance (EMI)
Virgin (EMI)
Virgin 3rd Party Exclusive (EMI)
Virgin Australia (EMI)
Virgin Austria (EMI)
Virgin Belgium (EMI)
Virgin Benelux (EMI)
Virgin Brazil (EMI)
Virgin Budget (EMI)
Virgin Canada (EMI)
Virgin Catalogue (EMI)
Virgin Chattering Classics – Budget (EMI)
Virgin Classics (EMI)
Virgin Commercial Exclusie (EMI)
Virgin Commercial Marketing (EMI)
Virgin Dance (EMI)
Virgin Denmark (EMI)
Virgin France (EMI)
Virgin Germany (EMI)
Virgin Greece (EMI)
Virgin Holland (EMI)
Virgin India (EMI)
Virgin International (EMI)
Virgin Italy (EMI)
Virgin Liberty (EMI)
Virgin Local (EMI)
Virgin Mary Records (PPL)
Virgin Mexico (EMI)
Virgin Music (EMI)
Virgin Music Chinese (EMI)
Virgin Music Italy (EMI)
Virgin Music Netherlands (EMI)
Virgin Music Norway (EMI)
Virgin Music Spain (EMI)
Virgin Nashville (EMI)
Virgin Norway (EMI)
Virgin Records (EMI)
Virgin Records (India) Pvt Ltd (EMI)
Virgin Records America (EMI)
Virgin Records America Inc (EMI)
Virgin Records Australia (EMI)
Virgin Records Canada (EMI)
Virgin Records France (EMI)
Virgin Records Germany (EMI)
Virgin Records Ltd (EMI)
Virgin Records New Zealand (EMI)
Virgin South Africa (EMI)
Virgin Spain (EMI)
Virgin Sweden (EMI)
Virgin TV – Old (EMI)
Virgin UK (EMI)
Virgin V.I.P (EMI)
Virgin Variations (EMI)
Virgin Venture (EMI)
Virgin (Japanese) EMI)
Virgin (UA) (EMI)
Virgin (UK) (EMI)
Virgo (EMI)
Virgo Stomach (PPL)
Virign (EMI)
Virtual Records (PPL)
Virtuous Woman Productions (PPL)
Visible Noise (PPL)
Visible Noise (Shock Entertainment)
Visible Noise (Sony Music Ent)
Visionary Records (PPL)
Visionquest (PPL)
Vista Vera (PPL)
Vital (Vital Entertainment)
Vital Fusion Pty Ltd (Vital Fusion Pty Ltd)
Vital Music (Dex Audio)
Vital Records (PPL)
Vital Sounds (PPL)
Vitamin Entertainment Co Ltd (Warner)
Vitamin Records(Vitamin Records)(Aust Indi)
Viv Youell (PPL)
Viva Records (PPL)
Vixia Enterprises Ltd (PPL)
Vivid (PPL)
Vivid Records (PPL)
Vix Records (EMI)
Vixen (PPL)
VJM (PPL)
VM Music (PPL)
VMG – M. Carey (EMI)
Vocal Explosion Recordings (PPL)
Vocal Trance Music (PPL)
Vocalion (UK)(PPL)
Vodafone (Warner)
Voiceprint (PPL)
Volcanic Activity (Volcanic Activity)
Volcano (Sony Music Ent.)
Volcano/Legacy (Sony Music Ent)
Volition Records (PPL)
Voix Celeste (PPL)
Volition Records (PPL)
Volt (PPL)
Voltage Destroyer (PPL)
Volte-face Records (PPL)
Voltera (Voltera)
Volture (PPL)
Voodoo Eroz (Specific Recordings Only)(Inertia)
Voodoo Music (PPL)
Voodoo Vinyl (PPL)
VOTP (PPL)
Vox Popus (PPL)
Voyager (Voyager)
Voyager Records (PPL)
Voz de su Amo, La (EMI)
VP (PPL)
VP Records (VPR UK Ltd)(PPL)
VR Recordings (EMI)
VSOP (Hot)
VSR Records (PPL)
V-Tone (PPL)
VUKA Africa (EMI)
Vunderchuck Records (dDub)(Shock Entertainment)
Vusta Music (Vuletic, Jennifer and Michael Stanley)
VYR (EMI)
W Records (PPL)
W.3 Productions (PPL)
W.A. & P. Stewart (Stewart, W.A. & P.)
W.I.R.L. (PPL)
W.M.O.T. Records (Unidisc)
W.O.W. (PPL)
W10 (PPL)
W2 Recordings (PPL)
Waap (PPL)
Waap Universal (PPL)
Wacky (PPL)
Wacky World (EMI)
Wag (PPL)
Wah Wah (PPL)
Wah Wah (Sony Music Ent)
Wah Wah Music (Farrago Music)
Waiste Line (PPL)
Waiter Music S.A. (EMI)
Wake the Baby (EMI)
Wake-Up Records (PPL)
Waking Monster Media (PPL)
Waking the Witch (PPL)
Waldoxy (Black Market Music)
Walk The Walk Records (PPL)
Walking Horse (Walking Horse)
Walking Oliver (PPL)
Wall of Sound (EMI)
Wall of Sound (Liberation)
Wall Recordings (Spinnin’ Records)
Walled Garden Music (PPL)
Wallflower (PPL)
Walsingham Classics (PPL)
Walt Disney Records (EMI)
Walt Disney Records (Universal)
Wanderlust/Iguana (PPL)
Wantok Musik (The Planet Company)
War / Fel [Front End Loader] (Fuse Music Group P/L)
Ward12 (PPL)
Warm Earth Records (Spirit Of Play)
Warmfuzz (PPL)
Warner Alliance (PPL)
Warner Archives (Warner)
Warner Bros Records Inc (Warner)
Warner Bros Records UK (Warner)
Warner Classics (Warner)
Warner Curb (PPL)
Warner Fonit (Warner)
Warner Music Argentina SA (Warner)
Warner Music Australia Pty Ltd (Warner)
Warner Music Austria GesmbH (Warner)
Warner Music Benelux BV (Warner)
Warner Music Benelux NV/SA (Warner)
Warner Music Brazil Ltda(Warner)
Warner Music Canada Ltd (Warner)
Warner Music Chile SA (Warner)
Warner Music China (BJ) Ltd (Warner)
Warner Music China (HK) Limited (Warner)
Warner Music Czech Republic S.R.O.(Warner)
Warner Music Denmark A/S (Warner)
Warner Music Finland OY (Warner)
Warner Music France SAS (Warner)
Warner Music Greece SA (Warner)
Warner Music Group (Warner)
Warner Music Group Germany (Warner)
Warner Music Hong Kong Ltd (Warner)
Warner Music Hungry Kft (Warner)
Warner Music Ireland Ltd (Warner)
Warner Music Italia srl (Warner)
Warner Music Japan Inc (Warner)
Warner Music Korea Ltd (Warner)
Warner Music Latina (Warner)
Warner Music Malaysia (Warner)
Warner Music Mexico SA de CV (Warner)
Warner Music New Zealand Ltd (Warner)
Warner Music Norway AS (Warner)
Warner Music Philippines Inc (Warner)
Warner Music Poland Sp z o.o (Warner)
Warner Music Portugal Lda (Warner)
Warner Music Singapore Pte Ltd (Warner)
Warner Music Slovakia s.r.o. (Warner)
Warner Music Spain SA (Warner)
Warner Music Sweden AB (Warner)
Warner Music Switzerland AG (Warner)
Warner Music Taiwan Ltd (Warner)
Warner Music Thailand Ltd (Warner)
Warner Music UK Ltd (Warner)
Warner Nashville (Warner)
Warner Special Projects (Warner)
Warner Strategic Marketing Inc (Warner)
Warner Sunset (Warner)
Warner Western (Warner)
Warp Records (Warp Records)
Warren Derwent (Derwent, Warren)
Warren Publishing Co. UK (PPL)
Warrior (Starlite)
Warrior Base (PPL)
Warrior Girl Music (Warrior Girl Music)
Wasted Records (PPL)
Wasted State Industries (PPL)
Wasted State Records (PPL)
Wasted Summer (Hellogoodbye Recordings) (Shock Entertainment)
Wat! (PPL)
Watchful Eye (Universal)
Watchful Eye (Urban Guerrillas)
Water (Fuse Music Group P/L)
Water Music (PPL)
Waterbear Records (Miller-Heidke, Kate)
Watercolour (PPL)
Watercourse (PPL)
Watercourse Explorer Series (PPL)
Waterfall Records (PPL)
Waterhouse (UK)(PPL)
Waterloo Sunset Records (PPL)
Watermark Music (PPL)
Wateroc Records (Rocwater)
Watkins (PPL)
Watts House Music (PPL)
Watussi Music (Watussi Music)
Waulk Records (PPL)
Wave (PPL)
Waves Classic (PPL)
Waves Music (PPL)
Waveshape (PPL)
Wawatat!! Records (EMI)
Wax Factory (PPL)
Wax On Music (PPL)
Wax On Records Ltd (PPL)
Wax Poetics (Fuse Music Group P/L)
Waxworkz (PPL)
Wayward Music (Wayward Music)
Wayward Smith (Wayward Smith)
WDML (PPL)
WDO Music (WDO Music)
We 3 Kings (Warner)
We Are Lifted (PPL)
We Are The Future Records (PPL)
We Are Woodville (PPL)
We Collect Enemies (PPL)
We Have Band Records (PPL)
We Know Mason (PPL)
We Love Jazz (EMI)
We Love Records (PPL)
We Make Entertainment Limited (PPL)
We Make Music Ltd (PPL)
We Make Things Work (PPL)
We Make Things Ltd (PPL)
WEA International Inc (Warner)
WEA Records (Warner)
Weasel (PPL)
Weatherbox (Hot)
Weathermaker Music LLC (Clutch, Bakerton Group)(Shock Entertainment)
Web Records (PPL)
Webmaster (PPL)
Wednesday Music (PPL)
Weekday Records Limited (PPL)
Weekend Records (PPL)
Weekend World Recordings (PPL)
Weeping Angel Records (PPL)
Weevil Records (PPL)
Welk Music Group (EMI)
Well Equipped (PPL)
Well Red Productions (PPL)
Well Wicked Records (PPL)
Wellhard Records (PPL)
Wellhart Overseas (PPL)
Weelhart/One Little Indian Ltd (PPL)
Wellspring (PPL)
Welovemuzik (PPL)
Welsh Gold (PPL)
Welsh Teldisc (PPL)
Welt=Rekord (EMI)
Wergo (Germay)(Fuse)
Werm (PPL)
West 5 Records (Limited)(PPL)
West 54th (PPL)
West Coast (PPL)
West End (PPL)
West Five Records (PPL)
West Midlands (PPL)
West Nile Records (PPL)
West Pacific Ltd (PPL)
West Pacific Music.Com (PPL)
West Side Music (PPL)
Westbound (PPL)
Western (PPL)
Westmoore Music (PPL)
Westmore Music Video (PPL)
Westmore Records (PPL)
Westside (PPL)
Westsong Writers (Wiseman, Bryan)
Westwood Productions (PPL)
Wet Nurse Records (PPL)
Wet TM Limited (PPL)
Wexfenne (PPL)
WFIL Charities (PPL)
WGIC (PPL)
Whack Recordings (Whack Recordings)
What A Wonderful World (EMI)
What? (PPL)
Whatever (PPL)
Whatmusic.Com (PPL)
Wheely Wheely Connection (PPL)
Wheely Wheely Promotion (PPL)
When In Rome (PPL)
When In Rome Records (PPL)
Where Songs Live (EMI)
Which Way Music (Fuse Music Group P/L)
Whild John (PPL)
While She Sleeps (While She Sleeps Recordings) (Shock Entertainment)
Whimsical Records (PPL)
Whippet Records (PPL)
Whirlie Records (PPL)
Whirlygig Records (PPL)
Whiskey Women And… (PPL)
White (PPL)
White Angel Records (PPL)
White Cloud Music (PPL)
White Devil Music (PPL)
White Dove Music (Jensen, Hayley)
White Elephant Recordings (PPL)
White Fall Records (PPL)
White Flames Music (PPL)
White Flames Productions (PPL)
White Line (EMI)
White Mischief (PPL)
White Noise (PPL)
White Parrot (PPL)
White Pearl Records Ltd (PPL)
White Rum (PPL)
White Villa Records (Toco)
White Water Records (PPL)
Whitecloud (Select)
Whiteheat Music (PPL)
Whitehill (PPL)
Whiter Than Records (PPL)
Whitewave Music (PPL)
Whitfield (Warner)
Who Ring (EMI)
Whoops! Records (PPL)
Whoosjack Music (Hot)
WI45 (PPL)
Wibble Records (PPL)
Wibbly Wobbly Records (PPL)
Wicked Beat Records (Wicked Beat Records)
Wicked Boy Records (PPL)
Wicked Cool Records (PPL)
Wicked Game Records (Universal)
Wicked Old Lady Records (PPL)
Wicker Records (PPL)
Wicked records Wales Ltd (PPL)
Wide Awake Records (PPL)
Widespace Records (PPL)
Wi-Fi (PPL)
Wiggle Records (EMI)
Wigmere Hall Live (Select)
Wiiija (Remote Control)
Wild Abandon (PPL)
Wild Apache (PPL)
Wild Cherry (PPL)
Wild Child Vinyl (PPL)
Wild Dog (Black Market Music)
Wild Dog Hill (Hot)
Wild Goose Publications (PPL)
Wild Pitch Records (EMI)
Wild Wish Music (PPL)
Wild Wood Records (PPL)
Wildchild Records (PPL)
Wilderness (PPL)
Wildflower Records (PPL)
Wildgoose (PPL)
Wildstar Records Limited (PPL)
Wildstyle (PPL)
Wildtracks (PPL)
Wildwood Records (PPL)
Wilhelmina (PPL)
Will Collier (PPL)
Will Echo Records (PPL)
Will John Ferrier (Shock Entertainment)
William (PPL)
William Gray (PPL)
William McDonald (McDonald, William)
William Morris Agency (PPL)
William Pitt-Jones (PPL)
William Tang / Zen Music (PPL)
William Wilde (PPL)
Williams Bulldog Management (PPL)
Willow Connection (Willow)(Aust Indi)
Willow Publishing (Willow Publishing)
Willow Records (PPL)
Wilson (PPL)
Wind Down (PPL)
Wind Up (PPL)
Wind Up Records (Hawthorn Heights) (Shock Entertainment)
Wind-Up Records (Sony Music Ent)
Windham Hill (Sony Music Ent)
Winding River Records (PPL)
Windmill (PPL)
Windows On The World (PPL)
Windsong Entertainment (Craig Byrne + Janine Byrne)(Aust Indi)
Windsong in Concert (PPL)
Windsong In Video (PPL)
Windsong Records (PPL)
Windward Records (PPL)
Winedark Records (PPL)
Winepress Music (PPL)
Wingfoot (PPL)
Wingnut Music (PPL)
Winter & Winter (PPL)
Winter Hymns Records (PPL)
Winterfold Records (PPL)
Wintersun Records (PPL)
Winthrop Records (PPL)
WIR (PPL)
Wire Block (PPL)
Wireboy Records (PPL)
Wired Desire Ltd (PPL)
Wired Science (PPL)
Wireframe (PPL)
Wisecrack Records (PPL)
Wisemove Music (PPL)
Wisepack (PPL)
Wishakismo (EMI)
Wishing Well (Wishing Well)
Wistful Records UK (PPL)
Witan (PPL)
Witch Records (PPL)
Witchwood Media Limited (PPL)
Within Records (PPL)
Witty (PPL)
Wizard (UK)(PPL)
Wizard Music (PPL)
Wizz Records (PPL)
WMD Music Limited (PPL)
Wminc Productions (EMI)
Wob Recordings (PPL)
Wobbly Music (PPL)
Wohone Records (PPL)
WOL Records (PPL)
Wolftown (PPL)
Wolves At The Door (Shock Entertainment)
Womad Select (PPL)
Wonderland (PPL)
Wonderland Records (PPL)
Wonderlust (PPL)
Wont Ever Be Limited (PPL)
Wood Wharf Records (PPL)
Woodcharm Limited (PPL)
Wooden Fish (PPL)
Wooden Records (PPL)
Wooden Step Records (PPL)
Woodstrasse (Da Hype Records SPRL)
Woodville Records (PPL)
Woodworm Records (PPL)
Woodyew Records (PPL)
Woolfgang Records (PPL)
Word (PPL)
Word Gospel (PPL)
Word Is Out Records (PPL)
Word Maranatha (PPL)
Word Of Mouth (PPL)
Word on Road Music (PPL)
Word Play Intellect (PPL)
Word Records - Golden Books (Warner)
Word Records (Warner)
Work (Sony Music Ent)
Workers Playtime Music (PPL)
Workforce Publishing (PPL)
Workforce Records (PPL)
Working Class Records (PPL)
Working Classical Music (PPL)
Working Title (Universal)
World Circuit (Fuse Music Group P/L)
World Circuit (PPL)
World Connection (Netherlands)(Fuse Music Group P/L)
World Domination Music (PPL)
World Enterprise Records (PPL)
World Flo (PPL)
World International (PPL)
World Music (V & H Holdings)
World Music (UK)(PPL)
World Music Ltd (PPL)
World Music Recording Studios (PPL)
World Music Network (PPL)
World Of Drum + Bass (PPL)
World Pacific (EMI)
World Records (PPL)
World Serpent (PPL)
World Service (PPL)
World Time Music (PPL)
World Village (PPL)
World Wild Walsh (PPL)
World Wide Kind (PPL)
Worldwide Domination (PPL)
Wormland Black (PPL)
Worried Racoon Records (PPL)
Worship Experience (PPL)
Worship Leaders (PPL)
Worship Together (EMI)
Worship Together (WTG) (EMI)
WOS (Liberation)
Wot (PPL)
Wot EP (PPL)
Wounded Knee Records (PPL)
Wow (EMI)
Wow (PPL)
Wow Christmas (EMI)
Wow Gospel (EMI)
Wow Hits (EMI)
Wow It’s Everywhere (EMI)
Wow Records (Wow Records)
Wow Worship (EMI)
WR (PPL)
Wrap (Black Market Music)
Wrapepd Up Music (PPL)
Wrapt Up Records (PPL)
Wrasse Records (PPL)
Wrasse Records (Selected Releases)(Shock Entertainment)
Wrath Records (PPL)
Wrathchild (PPL)
Wreched Rececords (PPL)
Wren Music (PPL)
Wren Recordings (PPL)
Wrestler (PPL)
Wrtechroboys (PPL)
Wrong Crowd Recording Co. (PPL)
Wrong Planet (PPL)
Wrongnote (PPL)
WRT (PPL)
WS Entertainment Limited (Warner)
WSM/FFRR (Warner)
WTF Recordings (PPL)
Wu Wei (Wu Wei)
Wunnademwuns (PPL)
Wurdamouth Records (PPL)
(PPL)
WWMF Recordings & Publishing (PPL)
(PPL)
Wyasotone Estate Limited T/A Ni (PPL)
Wyastone – Amon Ra (Select)
Wyastone – Lyrita (Select)
Wyastone – Nimbus (Select)
Wyastone – Prima Voce (Select)
Wyastone – Quartz (Select)
Wyastone – Saydisc (Select)
Wyastone – The Village Thing (Select)
Wyatt Moss-Wellington (Moss-Wellington, Wyatt)
Wye Records (PPL)
X.R.L. (PPL)
X-Andra Song (PPL)
Xcess Records (PPL)
Xcite (PPL)
Xclamation Records (PPL)
XCP Editions (PPL)
XDR (EMI)
Xelon Entertainment (Xelon Entertainment)
Xenon Records Ltd (PPL)
Xenophile (UK)(PPL)
X-Es Records (PPL)
XI Recordings Limited (EMI)
Xiringuitomusic / Coolhand Fil (PPL)
Xkman.com Records (PPL)
XL (Remote Control)
Xobophon Records (Xobophon)
Xplode (PPL)
Xplore (PPL)
XS Rhythm (PPL)
X-Squared Records (PPL)
X-Talk (PPL)
Xtcuk (PPL)
Xtra Mile Recordings (PPL)
Xtravaganza Recordings Ltd (PPL)
Xtravaganza/Epidrome (Sony Music Ent)
Xurbia Xendless (International Royalties Rescue)
XV (EMI)
Xwaver Records (PPL)
Xxplosive Ltd (PPL)
XXX (PPL)
XY2 (PPL)
XY Records (PPL)
Y.M.A.H. Records (PPL)
Y2K (PPL)
Yabby U (PPL)
Yamoosh! (PPL)
Yardcure Recordings (PPL)
Yardvibes (PPL)
Yawa (Central Station Records)
Yazoo (PPL)
Year Zero (PPL)
Yee Bee (PPL)
Yellabelly Records (PPL)
Yellow Bike Records (PPL)
Yellow Door Music (PPL)
Yellow Dot (PPL)
Yellow Gecko Records (PPL)
Yellow Van Records (PPL)
Yellowfinger Communications (PPL)
Yemaya (Fuse Music Group P/L)
Yep! Records (UK)(PPL)
Yep! Records (Undercover)(Aust Indi)
Yergh Records (PPL)
Yes Music (EMI)
Yes Please One Records (PPL)
Yes Yes Records (Yes Yes Records)
Yes You (Yes You)
Yew Tree Records (PPL)
Yfinto Records (PPL)
Yflem Records (PPL)
Yo Ke Li Lin (EMI)
Yo Mama Records (EMI)
Yo! Yo! (PPL)
Yoctopus (PPL)
Yogen Records (PPL)
Yolanda Thomas (Thomas, Yolanda)
Yolk (PPL)
York (PPL)
York Ambisonic (PPL)
Yorkville Records (Unidisc)
Yoruba Records (PPL)
You-Know-Dat Records (PPL)
Youmex (EMI)
Young Blood International (PPL)
Young Blood (PPL)
Young Entrepreneurs Records LT (PPL)
Young Mine (Jinja Safari)
Young Rebel (PPL)
Young Stanley Ltd (PPL)
Young Turks (Remote Control P/L)
Young Werther (Young Werther)
Youngstar (PPL)
Your Face Records (PPL)
Ysaye (PPL)
Yukka Records (PPL)
Yum Yum Records (PPL)
Yvonne’s Special (PPL)
Z Classics (PPL)
Z – Man (Fuse Music Group P/L)
Z Records (PPL)
Zah Zah (PPL)
Zamrud Records (Warner)
Zane Records (PPL)
Zang Productions (PPL)
Zap (PPL)
Zap Zap Records (PPL)
Zapit Records (PPL)
Zarg Records (PPL)
Zatzit P/L (Shock Entertainment)
Zeboullion Sounds (PPL)
Zebra (PPL)
Zebra 3 Records (PPL)
Zebra Traffic Records (PPL)
Zed Germany (Warner)
Zein Simone Records (PPL)
Zeitbombe (PPL)
Zen (EMI)
Zenda (PPL)
Zenga Music (PPL)
Zephyr Records (PPL)
Zero Degrees Entertainment (PPL)
Zero Friends Recordings (PPL)
Zero One Music Ltd (PPL)
Zestzone (PPL)
Zeus Recordings (James Kannis) (Shock Entertainment)
Zeus Records Ltd (PPL)
Zia Records (Zia Records)
Zig Zag (France)(Fuse)
Zinc Music (PPL)
Zine Records (PPL)
Zinerecords (PPL)
Zion (PPL)
Zion Records (PPL)
Zion Roots Music (PPL)
Zip Music (Vicious)
Zip (PPL)
Zippo (PPL)
Zircon (PPL)
Zirka (PPL)
Zirkulo (PPL)
Zlota Kolekcja (EMI)
Zoe (Dean And Britta, Mary Chapin Carpenter, King Wilkie)(Shock Entertainment)
Zoe Records (PPL)
Zoe Visoiu (Visoiu, Zoe)
Zoltan Records (PPL)
Zomba Indent (Sony Music Ent.)
Zone 5 (PPL)
Zone 7 (PPL)
Z-One Records (PPL)
Zonophone (EMI)
Zoo (Sony Music Ent)
Zoo Records (PPL)
Zooland (Central Station Records)
Zoom Music (PPL)
Zoom Productions (PPL)
Zopf Ltd (PPL)
Zorbic Media Ltd (PPL)
Zorch Records (PPL)
Zory Burner (PPL)
Zouk recordings (Armada Music)
Zram Records (PPL)
Z-Sub (PPL)
ZTT Records (PPL)
Zu Recordings (PPL)
Zu Zazz (PPL)
Zube Records (PPL)
Zuk Records (PPL)
Zulus Records (PPL)
Zum Records (PPL)
Zuma Recordings (PPL)\
ZWR (PPL)
Zynn (PPL)
Zyx Music (PPL)
Zyx Records (PPL)
0
7
3