FEDERAL COURT OF AUSTRALIA
Burge v Swarbrick [2005] FCAFC 257
COPYRIGHT – whether copyright subsists in the plugs, moulds and actual hull and deck of a yacht – whether respondent designer of yacht owns that copyright– interpretation of the definition of ‘artistic work’ –meaning of the term ‘work of artistic craftsmanship’ – whether a sculpture can be a work of artistic craftsmanship within the meaning of that term – whether plug, moulds or yacht were sculptures and/or works of artistic craftsmanship
Copyright Act 1911 (UK) s22
Copyright Act 1912 (Cth)
Copyright Act 1968 (Cth) ss 10, 31, 36, 74, 77, 116
Copyright Amendment Act 1989 (Cth)
Designs Act 1906 (Cth)
Fine Arts Copyright Act 1862 (UK)Hensher v Restawile Upholstery [1976] AC 65 referred to
Report of the Committee on the Law of Copyright 1909
BRENT BURGE & ORS v JOHN HARLEY SWARBRICK
W150 OF 2004
MOORE, NORTH AND EMMETT JJ
8 DECEMBER 2005
SYDNEY
IN THE FEDERAL COURT OF AUSTRALIA
NEW SOUTH WALES DISTRICT REGISTRY
W150 OF 2004
BETWEEN:
BRENT BURGE
FIRST APPELLANTTREVOR ROGERS
SECOND APPELLANTBENJAMIN WARREN
THIRD APPELLANTBOLDGOLD INVESTMENTS PTY LTD (ACN 105 065 272)
FOURTH APPELLANTGLEN PETER BOSMAN
FIFTH APPELLANTSERGIO EDWARD ZAZA
SIXTH APPELLANTAND:
JOHN HARLEY SWARBRICK
RESPONDENTJUDGES:
MOORE, NORTH AND EMMETT JJ
DATE OF ORDER:
8 DECEMBER 2005
WHERE MADE:
SYDNEY
THE COURT ORDERS THAT:
1.The appeal be allowed in part.
2.Order 1 made on 24 June 2004 be set aside and the following order be substituted in lieu of that order:
Copyright subsists in, and the applicant is and has been (since the dates variously referred to below) the owner of and entitled to the copyright in each of the items described in paragraph 1 of the application, being the Plug, the Hull Mould and the Deck Mould, the Hull Moulding and the Deck Moulding (all since approximately 2001) and the Drawings (since their creation at various dates between 2001 and about March 2002) as those items are defined in the reasons for judgment published on 24 June 2004 (‘the Artistic Works’).
3.The appellants pay the respondent’s costs of the appeal.
Note: Settlement and entry of orders is dealt with in Order 36 of the Federal Court Rules.
I N THE FEDERAL COURT OF AUSTRALIA
NEW SOUTH WALES DISTRICT REGISTRY
W150 OF 2004
BETWEEN:
BRENT BURGE
FIRST APPELLANTTREVOR ROGERS
SECOND APPELLANTBENJAMIN WARREN
THIRD APPELLANTBOLDGOLD INVESTMENTS PTY LTD (ACN 105 065 272)
FOURTH APPELLANTGLEN PETER BOSMAN
FIFTH APPELLANTSERGIO EDWARD ZAZA
SIXTH APPELLANTAND:
JOHN HARLEY SWARBRICK
RESPONDENT
JUDGES:
MOORE, NORTH AND EMMETT JJ
DATE:
8 DECEMBER 2005
PLACE:
SYDNEY
REASONS FOR JUDGMENT
INTRODUCTION
STATUTORY FRAMEWORK
PRODUCTION OF THE BATEAU ROUGEINFRINGEMENT
THE CONCLUSIONS OF THE PRIMARY JUDGE
ISSUES ON THE APPEALTHE CONSTRUCTION OF SECTION 77(1)(a)
WORK OF ARTISTIC CRAFTSMANSHIP
CORRESPONDING DESIGNCONCLUSION
INTRODUCTION
The respondent, John Harley Swarbrick (‘the Designer’), is a naval architect. He has designed a yacht known as a JS 9000. The first yacht…
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- AGLC
- Burge v Swarbrick [2005] FCAFC 257
- Case
- [2005] FCAFC 257
- Decision Date
CaseChat Overview and Summary
The court considered the Designer's intention to create a yacht with significant aesthetic appeal, as well as the high level of skill and craftsmanship exhibited in the creation of the plugs, which were used as templates for the yacht's hull and deck. The court found that the Designer's work on the plugs involved a creative design effort by skilled workers and demonstrated a high level of skill, planning, ingenuity, and dexterity. The Designer's expertise in both naval architecture and shipwrighting further supported the finding that the plugs were artistic works of craftsmanship. The court also noted that the aesthetic and technical aspects of yacht design were not mutually exclusive and that the plugs had sufficient aesthetic value to be regarded as artistic.
Based on the evidence presented, including photographs, a view of the yacht, and expert opinion, the court concluded that the plugs, hull, and deck of the Bateau Rouge were artistic works of craftsmanship. Consequently, copyright subsisted in these works, and the Designer was entitled to the copyright. The appeal was allowed in part, and the orders were varied to reflect the court's findings. The Designer was recognised as the owner of the copyright in the specified items, and the appellants were ordered to pay the respondent's costs of the appeal.
Orders
Orders of the court
1. The appeal be allowed in part.
2. Order 1 made on 24 June 2004 be set aside and the following order be substituted in lieu of that order:
Copyright subsists in, and the applicant is and has been (since the dates variously referred to below) the owner of and entitled to the copyright in each of the items described in paragraph 1 of the application, being the Plug, the Hull Mould and the Deck Mould, the Hull Moulding and the Deck Moulding (all since approximately 2001) and the Drawings (since their creation at various dates between 2001 and about March 2002) as those items are defined in the reasons for judgment published on 24 June 2004 (‘the Artistic Works’).
3. The appellants pay the respondent’s costs of the appeal.
Background
Background to the litigation
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Evidence
Evidence Before The Court
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Decision
Reasons for decision
Ratio Decidendi
Legal Principle Established
Established by: MOORE, NORTH AND EMMETT JJ
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