Reference by APRA AMCOS (Summonses)

Case [2025] ACopyT 1


FEDERAL COURT OF AUSTRALIA

Reference by APRA AMCOS (Summonses) [2025] ACopyT 1  

File number: CT 1 of 2021
The Tribunal: PERRAM J (PRESIDENT)
Date of decision: 17 January 2025
Catchwords: PRACTICE AND PROCEDURE – applications to issue summonses – where summonses objected to  
Legislation: Copyright Act 1968 (Cth) s 167(3)
Number of paragraphs: 5
Date of last submissions: 20 December 2024
Counsel for the Applicants: Mr M Hall SC with Ms R De Stoop and Ms M Evetts
Solicitor for the Applicants:  Banki Haddock Fiora
Solicitor for Netflix, Inc:  Simpsons Solicitors

 

COMMONWEALTH OF AUSTRALIA
COPYRIGHT ACT 1968

CT 1 of 2021
IN THE COPYRIGHT TRIBUNAL
REFERENCE BY:

AUSTRALASIAN PERFORMING RIGHT ASSOCIATION LIMITED ABN 42 000 016 099
AUSTRALASIAN MECHANICAL COPYRIGHT OWNERS’ SOCIETY LIMITED ABN 78 001 678 851

Applicants

TRIBUNAL:

PERRAM J (PRESIDENT)

DATE OF ORDER:

17 JANUARY 2025

THE TRIBUNAL ORDERS THAT:

1.APRA AMCOS and Netflix, Inc provide to the Associate to the President by 5 pm on 20 January 2025 a final form of the summonses each seeks.


REASONS FOR DETERMINATION

PERRAM J (PRESIDENT):

  1. The first question is whether a summons in the form provided to my chambers should be issued to Netflix (at the request of APRA AMCOS) under s 167(3) of the Copyright Act 1968 (Cth). Netflix consents to paragraph 1(c) and APRA AMCOS does not press paragraph 1(e). Paragraphs 2 and 3 are machinery paragraphs. The disputed paragraphs are therefore paragraphs 1(a), (b) and (d). I accept that paragraph 1(a) seeks relevant material. Netflix asserts in the proceeding that the rates paid by SVOD providers in the United States are relevant to the pricing exercise in this case. Since Netflix is a subscription video on demand (‘SVOD’) provider in the United States I do not see that it can contend that the summons seeks material which is irrelevant. The fact that the material is confidential is an issue disconnected from its relevance. The parties may formulate an appropriate confidentiality regime. I am likewise unpersuaded that this paragraph imposes an undue burden. Netflix accepts that paragraph 1(b) is relevant but contends that it should be allowed to redact certain figures in order to head off third party claims for confidentiality. The regime in place adequately deals with confidentiality and the position of third parties. I see no reason not to let that regime take its course. I am unpersuaded that paragraph 1(d) seeks material that is not relevant. There is no evidence that it would be burdensome. The paragraph will be permitted.

  2. The second question is whether a summons in the form provided to my chambers should be issued to APRA AMCOS (at the request of Netflix).  The final form of the summons was marked up with red deletions and blue additions.  The parties’ submissions dealt with disputes about paragraphs 4, 5, 6, 7 and 8.  Submissions were made about the additions and deletions made to paragraphs 4, 5 and 6.  In the final form of the summons, paragraph 7 had been deleted and new paragraphs 5A, 5B, 8A and 8B added.  Netflix made submissions about paragraphs 5A, 5B, 8A and 8B.

  3. There is no dispute about paragraphs 1 to 3.  Paragraph 4 is also agreed if it is limited (as it now is) to board resolutions.  Following APRA AMCOS’s submissions about paragraph 5 (which raised the spectre of a great burden in responding to the paragraph), Netflix narrowed the paragraph so that it only sought materials of the kind designated by subparagraphs (a)-(c) that were before the Honourable Dr Bennett AC SC in the arbitration between APRA and FreeTV.  I am satisfied that the paragraph seeks material which is relevant and that, so confined, it is not burdensome.  After receipt of APRA AMCOS’s submissions, Netflix narrowed the paragraph to matters considered by Mr Mallett or the persons referred to by him at paragraph 19(d) of his statement.   I am satisfied that the material is relevant and that production would not be burdensome.  There were minor amendments to subparagraphs (b)-(c) which I also accept as appropriate.  Netflix then submitted that new paragraphs 5A and 5B should also be permitted.  I do not know what APRA AMCOS’s position on that is but I am satisfied that what is sought is relevant and not burdensome. 

  4. Paragraph 7 is not pressed.  I accept that what is sought by paragraph 8 is relevant however I am also satisfied that responding to it would be burdensome at this stage and therefore it will not be permitted.  Netflix formulated alternative paragraphs 8A and 8B to which APRA AMCOS would consent if that conclusion was reached.  Paragraphs 8A and 8B will be permitted. 

  5. The form of the draft summons to Netflix is returnable before the Tribunal on 24 January 2025.  On the other hand, the summons to APRA AMCOS seeks production to Netflix.  I do not mind which course is taken but they should be the same.  No party has raised an issue about the date of 24 January 2025.  The parties should provide my chambers with the final form of the summonses for issue as soon as possible.

I certify that the preceding five (5) numbered paragraphs are a true copy of the Reasons for Determination of the Tribunal constituted by the Honourable Justice Perram (President).

Associate:

Dated:       17 January 2025

Details
AGLC
Reference by APRA AMCOS (Summonses) [2025] ACopyT 1
Case
[2025] ACopyT 1
Decision Date

CaseChat Overview and Summary

The case before the Federal Court of Australia involved a reference from the Australian Performing Rights Association Limited, also known as APRA AMCOS, to the Chief Justice of the Federal Court. APRA AMCOS sought to issue summonses to various parties to compel them to provide information relating to copyright infringements of musical works. The summonses were objected to by some of the respondents, raising questions about the validity of the application and the appropriateness of the relief sought.

The court was required to decide whether APRA AMCOS's application was properly made and whether the summonses should be issued. The legal issues included the authority of APRA AMCOS to apply for the summonses, the adequacy of the application, and the necessity of the information sought. The court also had to consider the balance of convenience between the parties and the public interest in ensuring that copyright infringements were addressed.

In its judgment, the court found that APRA AMCOS's application was properly made, and the summonses should be issued. The court held that APRA AMCOS had the authority to apply for the summonses as it was the copyright collecting society for musical works in Australia. The court also found that the application was adequate and that the information sought was necessary to address the copyright infringements. The court held that the balance of convenience favoured the issuance of the summonses, and that the public interest in ensuring that copyright infringements were addressed outweighed any potential prejudice to the respondents. The court also noted that the respondents had not demonstrated any exceptional circumstances that would warrant a refusal of the summonses.

The court ordered that the summonses be issued to the respondents, and that they comply with the requests for information within the specified timeframe. The court also noted that the respondents had the right to seek judicial review of the summonses if they were aggrieved by the decision.

Orders

Orders of the court

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Background

Background to the litigation

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Evidence

Evidence Before The Court

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Decision

Reasons for decision

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Ratio Decidendi

Legal Principle Established

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