Statutory Rules 1981 No. 741
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Copyright (International Protection)
Regulations2 (Amendment)
I, THE GOVERNOR-GENERAL of the Commonwealth of Australia, acting with the advice of the Federal Executive Council, hereby make the following Regulation under the Copyright Act 1968.
Dated 9 April 1981.
ZELMAN COWEN
Governor-General
By His Excellency’s Command,
P. DURACK
Attorney-General
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Schedule 3
Schedule 3 to the Copyright (International Protection) Regulations is repealed and the following Schedule substituted:
“SCHEDULE 3 Regulations 6 and 7
COUNTRIES WHERE COPYRIGHT IN A RECORDING INCLUDES THE
RIGHT TO CAUSE THE RECORDING TO BE HEARD IN
PUBLIC OR TO BROADCAST THE RECORDING
Argentina
Austria
Bahamas
Bangladesh
Brazil
Czechoslovakia
Denmark
Federal Republic of Germany
Fiji
Finland
German Democratic Republic
Iceland
India
Ireland
Israel
Italy
Japan
Liechtenstein
Mauritius
New Zealand
Norway
Pakistan
Philippines
Poland
Romania
Spain
Sri Lanka
Sweden
Thailand
Union of Soviet Socialist Republics
United Kingdom of Great Britain and Northern Ireland”.
1. Notified in the Commonwealth of Australia Gazette on 15 April 1981.
2. Statutory Rules 1969 No. 60 as amended by 1969 No. 65; 1974 No. 137; 1980 No. 276.
Overview
The Copyright (International Protection) Regulations 1981, enacted as part of Statutory Rules 1981 No. 741, are amendments made to the Copyright Act 1968 by the Commonwealth of Australia. These amendments were introduced to address the need for updated regulations regarding international copyright protection, particularly concerning the rights related to public performance and broadcasting of sound recordings in various countries. The objective is to ensure that Australian copyright laws are aligned with international agreements and treaties, thereby protecting Australian creators' rights abroad and facilitating fair use in a global context. The regulations were made by the Governor-General, acting on the advice of the Federal Executive Council, and the amendments list specific countries where copyright in a recording includes the right to cause the recording to be heard in public or to broadcast the recording.
Scope and Application
The Copyright (International Protection) Regulations 1981, as amended, serve to extend the provisions of the Copyright Act 1968 to international contexts, specifically addressing the protection of recordings in various countries. This legislative instrument applies to the recordings of musical, literary, and dramatic works, providing copyright protection that encompasses the right to cause the recording to be heard in public or broadcast, for the listed countries. The application of these regulations is not limited to a specific geographic jurisdiction but extends to the international realm, where the listed countries are recognised for their adherence to reciprocal copyright protections. The regulations exclude countries not mentioned in the updated Schedule 3, thereby establishing a defined scope of international copyright protection. Additionally, this legislative instrument allows for further extension or restriction of its application through subordinate instruments, ensuring adaptability to evolving international copyright landscapes.
Key Provisions
The main operative sections of the Copyright (International Protection) Regulations (Amendment) are those that modify Schedule 3, specifically Regulations 6 and 7. These regulations update the list of countries where copyright in a recording includes the right to cause the recording to be heard in public or to broadcast the recording. The updated list now includes countries such as Argentina, Austria, and the Bahamas, among others, and replaces the previous list that was in effect (section 3). This amendment ensures that the regulations remain current with international agreements and practices.
These regulations impose obligations on copyright holders and users of copyrighted recordings in Australia. Copyright holders from the listed countries are granted additional rights in Australia, specifically the right to prevent their recordings from being publicly played or broadcast without permission. This means that if a recording is protected under copyright laws in one of these countries, the rights holder can also seek legal recourse in Australia if these rights are infringed. Users, on the other hand, must be aware of these rights and obtain necessary permissions before using such recordings in public or for broadcasting.
Breach of these regulations can lead to legal consequences for both copyright holders and users. For copyright holders, failure to enforce their rights within the stipulated period may result in loss of those rights in Australia. For users, unauthorised public performance or broadcast of recordings without permission can lead to infringement actions. The penalties for copyright infringement can include statutory damages, actual damages, and potentially criminal penalties if the infringement is willful and for commercial advantage or private financial gain. The maximum penalties can vary depending on the nature and extent of the infringement but can include significant fines and, in serious cases, imprisonment.
It is crucial for both copyright holders and users to understand these provisions to avoid potential legal repercussions. Compliance with the updated regulations ensures that the rights of copyright holders are protected in line with international standards, while also providing clarity for users on the permissible use of copyrighted materials. This balance is essential for fostering an environment where creativity is protected and encouraged.